{"id":1142,"date":"2021-08-06T08:14:43","date_gmt":"2021-08-06T00:14:43","guid":{"rendered":"https:\/\/www.atelierauction.com\/globalupdates\/?p=1142"},"modified":"2021-08-03T12:34:48","modified_gmt":"2021-08-03T04:34:48","slug":"the-most-expensive-works-by-roy-lichtenstein-to-sell-at-auction","status":"publish","type":"post","link":"https:\/\/www.atelierauction.com\/globalupdates\/artist\/the-most-expensive-works-by-roy-lichtenstein-to-sell-at-auction\/","title":{"rendered":"The Most Expensive Works by Roy Lichtenstein to Sell at Auction"},"content":{"rendered":"<p>Andy Warhol, the most preeminent Pop artist, rarely found himself humbled. But, when he came before Roy Lichtenstein\u2019s earliest works, Warhol abandoned his own experiments with images of superheroes taken from comic books. As Warhol told curator <a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">Henry Geldzahler<\/a>, \u201cRoy was doing comics so well.\u201d<\/p>\n<p>Many others have likewise found themselves impressed by Lichtenstein\u2019s works, which often take the form of comic-like images with Ben-Day dots left visible. On the market, Lichtenstein rains as one of the most expensive Pop artists out there.<\/p>\n<p>The most expensive Lichtenstein ever may be his 1962 painting\u00a0<em>Masterpiece<\/em>, which was once owned by Agnes Gund. <a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">Steven Cohen<\/a> reportedly gave her $165 million for it in 2017 in a private sale; Gund then used the money to fund a new initiative focused on mass incarceration, criminal justice, and the arts. Public auctions of Lichtenstein\u2019s work have so far not come close to that figure. Still, the artist\u2019s top ten public sale records establish him among the ranks of the highest-selling artists at auction and a market bellwether.<\/p>\n<p>Records are still mounting for the Pop master. Last July, Lichtenstein\u2019s\u00a0<em>Nude with Joyous Painting<\/em>\u00a0(1994), which depicts a blonde heroine appropriated from a D.C. comic book series, sold at Christie\u2019s for $46.2 million. The result made it the third-highest price paid for a work by the artist at auction.<\/p>\n<p>Below, a list of the artists\u2019s top public sales.<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical\">\n<div class=\"c-gallery-vertical__slides\">\n<div class=\"c-gallery-vertical__slide-wrapper\" style=\"text-align: center;\" data-slide-id=\"1234600543\" data-slide-index=\"0\" data-slide-position-display=\"1\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\"><span class=\"c-gallery-vertical-featured-image__number\">1.<\/span><em style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">Nurse<\/em><span style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">, 1964<\/span><\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/AP231420081071-e1627931591655.jpg?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/AP231420081071-e1627931591655.jpg?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/AP231420081071-e1627931591655.jpg?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/AP231420081071-e1627931591655.jpg?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/AP231420081071-e1627931591655.jpg?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/AP231420081071-e1627931591655.jpg?w=1200 1200w\" alt=\"Roy Lichtenstein's &quot;Nurse,&quot; left, and Chuck Close's dual paintings &quot;Leslie and Self Portrait,&quot; right, are among master works installed at Christie's for the upcoming New York evening art auctions of impressionist, modern and post-war art, during a press preview, Friday Oct. 30, 2015, in New York. (AP Photo\/Bebeto Matthews)\" width=\"827\" height=\"575\" \/><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">AP Photo\/Bebeto Matthews<\/span><\/figure>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><b style=\"text-align: center;\">Sold for: $95.4 million<\/b><\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"p1\" style=\"text-align: left;\">In November 2015, Christie\u2019s sold\u00a0<i>Nurse\u00a0<\/i>for $95.4 million. Unlike many big-ticket items, this one had just a single bidder. Speculation began to ensue: Was the phone bidder who bought the work none other than Christie\u2019s owner Fran\u00e7ois Pinault acting as a third-party guarantor? As of 2021, the buyer remains unknown, though the work\u2019s esteemed provenance is more certain. The work was consigned by Boston collector Barbara Lee, who purchased the painting by phone at a Sotheby\u2019s sale in May 1995 for just $1.7 million. Before landing with Barbara Lee,\u00a0<i>Nurse<\/i>\u00a0had passed through the hands of several famous collectors, including Peter Brant and Karl Stroher.\u00a0 It had even once been held by Leon Kraushar, a famed Pop art collector who, in one photograph published by Life magazine, is seen posing near\u00a0<em>Nurse<\/em>\u00a0in his bedroom.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" style=\"text-align: center;\" data-slide-id=\"1234600545\" data-slide-index=\"1\" data-slide-position-display=\"2\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\" style=\"text-align: left;\"><span class=\"c-gallery-vertical-featured-image__number\">2.<\/span><em style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">Woman with Flowered Hat<\/em><span style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">, 1963<\/span><\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.42-PM-e1627933155483.png?w=481\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 616px, (max-width: 1440px) 616px, (max-width: 2560px) 616px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.42-PM-e1627933155483.png?w=193 193w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.42-PM-e1627933155483.png?w=385 385w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.42-PM-e1627933155483.png?w=481 481w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.42-PM-e1627933155483.png?w=616 616w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.42-PM-e1627933155483.png?w=800 800w\" alt=\"Roy Lichtenstein\" width=\"461\" height=\"575\" \/><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9 Estate of Roy Lichtenstein<\/span><\/figure>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><strong style=\"text-align: center;\">Sold for: $56.1 million<\/strong><\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p style=\"text-align: left;\">Lichtenstein riffed on the work of other artists throughout his career, rendering famed motifs derived from Monet, Picasso, and others via Ben-Day dots, as though they were blow-ups of images in comic books. This painting is one of three Lichtenstein based on works by Picasso during the 1960s. <a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">Lichtenstein\u2019s Dora Maar<\/a> portrait sold in May 2013 during a Christie\u2019s sale to collector Laurence Graff, who bid for the work himself in the New York salesroom against three others. With a pre-sale estimate of $30 million, the work was a part of a blockbuster $495 million auction.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234600548\" data-slide-index=\"2\" data-slide-position-display=\"3\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\"><span class=\"c-gallery-vertical-featured-image__number\">3.<\/span><em style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">Sleeping Girl<\/em><span style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">, 1964<\/span><\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Sleeping-Girl-e1627933503370.jpeg?w=424\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 424px, (max-width: 1440px) 424px, (max-width: 2560px) 424px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Sleeping-Girl-e1627933503370.jpeg?w=239 239w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Sleeping-Girl-e1627933503370.jpeg?w=424 424w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Sleeping-Girl-e1627933503370.jpeg?w=424 424w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Sleeping-Girl-e1627933503370.jpeg?w=424 424w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Sleeping-Girl-e1627933503370.jpeg?w=424 424w\" alt=\"Roy Lichtenstein\" width=\"424\" height=\"425\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9 Estate of Roy Lichtenstein<\/span><\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><strong>Sold for: $44.8 million<\/strong><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p>In May 2012,\u00a0<a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\"><em>Sleeping Girl<\/em>\u00a0<\/a>(1964) sold at Sotheby\u2019s in New York, exceeding its pre-sale estimate of $30 million. In the early 1960s, when Lichtenstein began sourcing images from DC, he relied heavily on a comics series called\u00a0<em>Girls\u2019 Romance<\/em>, from which he took an image of a teary-eyed blonde. For his paintings, Lichtenstein made minor adjustments to that character\u2014here, for example, she is shown sleeping instead of crying.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234600581\" data-slide-index=\"3\" data-slide-position-display=\"4\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\"><span class=\"c-gallery-vertical-featured-image__number\">4.<\/span><em style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">Nude With Joyous Painting<\/em><span style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">, 1994<\/span><\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2020\/05\/Lichtenstein-Nude-with-Joyous-Painting-768x1002-1.jpg?w=460\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 589px, (max-width: 1440px) 589px, (max-width: 2560px) 589px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2020\/05\/Lichtenstein-Nude-with-Joyous-Painting-768x1002-1.jpg?w=184 184w, https:\/\/www.artnews.com\/wp-content\/uploads\/2020\/05\/Lichtenstein-Nude-with-Joyous-Painting-768x1002-1.jpg?w=368 368w, https:\/\/www.artnews.com\/wp-content\/uploads\/2020\/05\/Lichtenstein-Nude-with-Joyous-Painting-768x1002-1.jpg?w=460 460w, https:\/\/www.artnews.com\/wp-content\/uploads\/2020\/05\/Lichtenstein-Nude-with-Joyous-Painting-768x1002-1.jpg?w=589 589w, https:\/\/www.artnews.com\/wp-content\/uploads\/2020\/05\/Lichtenstein-Nude-with-Joyous-Painting-768x1002-1.jpg?w=768 768w\" alt=\"Roy Lichtenstein, 'Nude with Joyous Painting', 1994.\" width=\"441\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9 Estate of Roy Lichtenstein<\/span><\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><b>Sold for: $46.2 million<\/b><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"p1\">In July 2020, Christie\u2019s offered\u00a0<i>Nude with Joyous Painting<\/i>\u00a0(1994), featuring the artist\u2019s signature blonde comic girl. It formed the cover lot of Christie\u2019s \u201cONE\u201d sale, the first major auction that the house held following a months-long pandemic lockdown. The work was estimated at around $30 million and saw competitive bidding from Hong Kong and New York. Ultimately, the bidder on the phone with Christie\u2019s Hong Kong specialist Francis Belin in Hong Kong won the work for a hammer price of $40.5 million, or $46.2 million with buyer\u2019s fees.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234600557\" data-slide-index=\"4\" data-slide-position-display=\"5\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\"><span class=\"c-gallery-vertical-featured-image__number\">5.<\/span><em style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">I can see the whole room!\u2026 and there\u2019s nobody in it!<\/em><span style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">, 1961<\/span><\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.38.02-PM-e1627933239910.png?w=593\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 759px, (max-width: 1440px) 759px, (max-width: 2560px) 759px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.38.02-PM-e1627933239910.png?w=237 237w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.38.02-PM-e1627933239910.png?w=474 474w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.38.02-PM-e1627933239910.png?w=593 593w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.38.02-PM-e1627933239910.png?w=759 759w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.38.02-PM-e1627933239910.png?w=800 800w\" alt=\"Roy Lichtenstein\" width=\"568\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9 Estate of Roy Lichtenstein<\/span><\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><b>Sold for: $43.2 million<\/b><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"p1\">This four-foot square work came to Christie\u2019s New York, where it sold for $43.2 million in November 2011, landing solidly within its pre-sale expectation of $35 million\u2013$45 million. Produced in 1961, it was featured in the Whitney Museum\u2019s 1983 exhibition \u201cThe Comic Art Show: Cartoons in Painting and Popular Culture.\u201d Sourced from a cartoon, the image Lichtenstein appropriated pays homage to Surrealist artist Ren\u00e9 Magritte\u2019s 1932\u201335 work<i>\u00a0L\u2019Oeil (The Eye)<\/i>. The work was once owned by Connecticut modern and contemporary art collectors Emily and Burton Tremaine.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234600558\" data-slide-index=\"5\" data-slide-position-display=\"6\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\"><span class=\"c-gallery-vertical-featured-image__number\">6.<\/span><em style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">The Ring (Engagement)<\/em><span style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">, 1962<\/span><\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.47.24-PM-e1627931864890.png?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.47.24-PM-e1627931864890.png?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.47.24-PM-e1627931864890.png?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.47.24-PM-e1627931864890.png?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.47.24-PM-e1627931864890.png?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.47.24-PM-e1627931864890.png?w=1200 1200w\" alt=\"Roy Lichtenstein, The Ring\" width=\"861\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">AP Photo<\/span><\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><strong>Sold for $41.7 million<\/strong><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p>Chicago art collector and plastic industry mogul Stefan Edlis sold\u00a0<em>The Ring (Engagement)\u00a0<\/em>at Sotheby\u2019s in New York in May 2015\u2014the same year he and his wife, Gael Neeson, donated $400 million worth of art to the Art Institute of Chicago.\u00a0<em>The Ring<\/em>\u00a0(1962) was expected to sell for $50 million, but eventually went for a below-estimate final price of $41.7 million. The disappointment was hardly a loss for Edlis, who had acquired the work in 1997 at auction for just $2.2 million.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234600565\" data-slide-index=\"6\" data-slide-position-display=\"7\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\"><span class=\"c-gallery-vertical-featured-image__number\">7.<\/span><em style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">Ohhh\u2026Alright\u2026, 1964<\/em><\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.53.19-PM-e1627931969812.png?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.53.19-PM-e1627931969812.png?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.53.19-PM-e1627931969812.png?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.53.19-PM-e1627931969812.png?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.53.19-PM-e1627931969812.png?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.53.19-PM-e1627931969812.png?w=1200 1200w\" alt=\"Roy Lichtenstein\" width=\"839\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">AP Photo<\/span><\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><b>Sold for: $42.6 million<\/b><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"p1\">In 2005,\u00a0<i>Ohhh\u2026Alright\u2026<\/i>\u00a0(1964) went for $42.6 million in Christie\u2019s November sale, at the time setting a record. Its storied provenance included years in the collections of Steve Martin and Steve Wynn. Lichtenstein took this work\u2019s red-headed weeping protagonist from the DC comic book\u00a0<i>Secret Hearts.<\/i><\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234600566\" data-slide-index=\"7\" data-slide-position-display=\"8\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\"><span class=\"c-gallery-vertical-featured-image__number\">8.<\/span><em style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">Seductive Girl, 1996<\/em><\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.45.54-PM-e1627933778550.png?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 960px, (max-width: 2560px) 960px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.45.54-PM-e1627933778550.png?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.45.54-PM-e1627933778550.png?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.45.54-PM-e1627933778550.png?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.45.54-PM-e1627933778550.png?w=960 960w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.45.54-PM-e1627933778550.png?w=960 960w\" alt=\"Roy Lichtenstein\" width=\"825\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9 Estate of Roy Lichtenstein<\/span><\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><strong>Sold for $32.5 million<\/strong><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p><em>Seductive Girl<\/em>\u00a0(1996), from Lichtenstein\u2019s late-career \u201cNude\u201d series, came to auction for the first time in November 2013 at Christie\u2019s in New York. It sold for $31.5 million, against an estimate of $22 million. The original image came from Lichtenstein\u2019s central source, the DC comic\u00a0<em>Love Me Not for Beauty Only.<\/em><\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234600584\" data-slide-index=\"8\" data-slide-position-display=\"9\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\"><span class=\"c-gallery-vertical-featured-image__number\">9.<\/span><em style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">Kiss III, 1962<\/em><\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.48.33-PM-e1627932093867.png?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.48.33-PM-e1627932093867.png?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.48.33-PM-e1627932093867.png?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.48.33-PM-e1627932093867.png?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.48.33-PM-e1627932093867.png?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-2.48.33-PM-e1627932093867.png?w=1200 1200w\" alt=\"A person looks at an illuminated painting of a comic book\u2013style man and woman kissing.\" width=\"914\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">AP<\/span><\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><strong>Sold for: $31.1 million<\/strong><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p>Estimated at $30 million\u2013$50 million when it came to auction at Christie\u2019s in 2019,\u00a0<em>Kiss III<\/em>\u00a0(1962) sold for $31.1 million. Completed the same year Lichtenstein opened his inaugural solo show at the Leo Castelli Gallery in New York, the work was sold by Robert B. and Beatrice C. Mayer, a Chicago collecting couple known for their holdings of American postwar art.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" style=\"text-align: center;\" data-slide-id=\"1234600587\" data-slide-index=\"9\" data-slide-position-display=\"10\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\" style=\"text-align: left;\"><span class=\"c-gallery-vertical-featured-image__number\">10.<\/span><em style=\"color: #111111; font-family: Roboto, sans-serif; font-size: 27px;\">Red and White Brushstrokes, 1965<\/em><\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.53-PM-e1627933347243.png?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.53-PM-e1627933347243.png?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.53-PM-e1627933347243.png?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.53-PM-e1627933347243.png?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.53-PM-e1627933347243.png?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-02-at-3.37.53-PM-e1627933347243.png?w=1200 1200w\" alt=\"Roy Lichtenstein\" width=\"803\" height=\"575\" \/><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9 Estate of Roy Lichtenstein<\/span><\/figure>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><strong>Sold for: $28.5 million<\/strong><\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p style=\"text-align: left;\">Alongside his more popular depictions of nudes and swooning couples, Lichtenstein also produced a 1964\u201365 series depicting brushstrokes, a parody of the Abstract Expressionist mode of art-making that was dominant at the time. In May 2017,\u00a0<em>Red and White Brushstrokes<\/em> (1965) just barely reached its pre-sale estimate of $25 million\u2013$35 million, selling at a Sotheby\u2019s evening sale for $28.5 million.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Source: https:\/\/www.artnews.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Andy Warhol, the most preeminent Pop artist, rarely found himself humbled. But, when he came before Roy Lichtenstein\u2019s earliest works, Warhol abandoned his own experiments with images of superheroes taken from comic books. As Warhol told curator Henry Geldzahler, \u201cRoy was doing comics so well.\u201d Many others have likewise found themselves impressed by Lichtenstein\u2019s works, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1143,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[5,13,7,4,3],"tags":[],"class_list":{"0":"post-1142","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist","8":"category-auction","9":"category-events","10":"category-gallery","11":"category-latest-news"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Most Expensive Works by Roy Lichtenstein to Sell at Auction - Investable Art Auctioneer<\/title>\n<meta name=\"description\" content=\"Andy Warhol, the most preeminent Pop artist, rarely found himself humbled. 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