{"id":1569,"date":"2022-06-21T14:31:25","date_gmt":"2022-06-21T06:31:25","guid":{"rendered":"https:\/\/www.atelierauction.com\/globalupdates\/?p=1569"},"modified":"2022-06-21T14:31:25","modified_gmt":"2022-06-21T06:31:25","slug":"7-galleries-that-sold-works-at-art-basel-2022","status":"publish","type":"post","link":"https:\/\/www.atelierauction.com\/globalupdates\/latest-news\/7-galleries-that-sold-works-at-art-basel-2022\/","title":{"rendered":"7 Galleries That Sold Works at Art Basel 2022"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">Art Basel, the premier international art fair that takes place annually in Switzerland, returned for its 2022 edition, which had its VIP opening on Wednesday morning. 289 exhibitors drew crowds to the fair\u2019s exhibition site at Messe Basel, to which mega-dealers such as <a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">David Zwirner and Hauser &amp; Wirth<\/a> brought some of their most blue-chip items.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">With dealers reporting an energetic return to the art market\u2019s heralded summer enterprise, many pieces sold in the mid- and high six figures. For sales of works by both historical artists active in the 20th century to those working now, Dominique L\u00e9vy, co-founder of New York\u2019s recently-merged gallery LGDR remarked \u201cbusiness is thoughtful but brisk.\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Below, a look at some of the sales galleries said they made on the preview day of this year\u2019s edition of Art Basel, which runs through Sunday.<\/span><\/p>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234632077\" data-slide-index=\"0\" data-slide-position-display=\"1\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<p><span class=\"c-gallery-vertical-featured-image__number\">1.<\/span>Louise Bourgeois at Hauser &amp; Wirth<\/p>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/BOURG16434-BRADF117393-BOURG93415-CONDO116310-hires.jpg?w=771\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 987px, (max-width: 2560px) 987px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/BOURG16434-BRADF117393-BOURG93415-CONDO116310-hires.jpg?w=308 308w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/BOURG16434-BRADF117393-BOURG93415-CONDO116310-hires.jpg?w=617 617w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/BOURG16434-BRADF117393-BOURG93415-CONDO116310-hires.jpg?w=771 771w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/BOURG16434-BRADF117393-BOURG93415-CONDO116310-hires.jpg?w=987 987w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/BOURG16434-BRADF117393-BOURG93415-CONDO116310-hires.jpg?w=1200 1200w\" alt=\"A steel sculpture of a spider is at the center of an art fair booth with three paintings on nearby walls. A woman walks under the spider.\" width=\"739\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">Art: \u00a9The Easton Foundation\/VAGA at ARS, NY<\/span><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"p1\"><span class=\"s1\">Presiding over the galleries section of the fair at the Hauser &amp; Wirth\u2019s booth is an 11-foot-tall metal sculpture of a spider produced by Louise Bourgeois. It is one of several examples from the artist\u2019s series of oversized steel arachnids, rendered in poses standing and wall-mounted.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The Swiss-based gallery, which represents the French-American artist\u2019s estate, reported on the opening day of the fair that it sold the sculpture for $40 million. Reports from fairgoers attending in person later revealed the monumental piece had remained in the collection of Ursula Hauser, mother of one of the dealer\u2019s founders, since the 1990s.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Among the other highly-valued works to sell from the dealer\u2019s booth was\u00a0<\/span><span class=\"s2\">a 1948 pencil and charcoal drawing on paper titled\u00a0<i>The Betrothal<\/i>\u00a0by Armenian-American artist Arshile Gorky.\u00a0<\/span><span class=\"s3\">It sold for a price of $5.5 million. <a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">Others by Mark Bradford<\/a>,\u00a0<\/span><span class=\"s2\">Philip Guston, Frank Bowling and Francis Picabia sold for prices over $3 million.<\/span><\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234632114\" data-slide-index=\"1\" data-slide-position-display=\"2\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<p><span class=\"c-gallery-vertical-featured-image__number\">2.<\/span>F\u00e9lix Gonz\u00e1lez-Torres at David Zwirner<\/p>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-10.43.57-AM-1-e1655325786222.png?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-10.43.57-AM-1-e1655325786222.png?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-10.43.57-AM-1-e1655325786222.png?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-10.43.57-AM-1-e1655325786222.png?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-10.43.57-AM-1-e1655325786222.png?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-10.43.57-AM-1-e1655325786222.png?w=1200 1200w\" alt=\"Hanging light sculpture\" width=\"767\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\"><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p>Featured in mega-dealer David Zwirner\u2019s booth were some long-established art historical fixtures, whose works dating back to the 1990s brought in large sums. The most expensive of the works Zwirner brought was by Cuban-American artist and activist F\u00e9lix Gonz\u00e1lez-Torres, whose estate Zwirner took over representation of in 2017. The 1992 light sculpture,\u00a0<i>Untitled<\/i>\u00a0<i>(Tim<\/i>\u00a0Hotel), a single electrical cord holding 42 light bulbs that hangs from a nail suspended from the ceiling sold for $12.5 million to an Asian collection.<\/p>\n<p>Another two works by Marlene Dumas, who is the subject of a current survey at the Venice Biennale\u2019s Palazzo Grassi,\u00a0brought in multi-million dollar prices. One canvas produced in 1994 and the other in 2013 and each depicting the South African artist\u2019s crudely-rendered grey-scaled figures sold for $8.5 million and $2.6 million, respectively. The dealer reported each had sold to \u201cmajor\u201d European collections.<\/p>\n<p>Other works by <a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">Oscar Murillo<\/a>, Jordan Wolfson, Steven Shearer, Elizabeth Peyton, Alice Neel and Josef Albers sold at prices between $350,000 to $1.5 million.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234632079\" data-slide-index=\"2\" data-slide-position-display=\"3\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<p><span class=\"c-gallery-vertical-featured-image__number\">3.<\/span>Willem de Kooning at LDGR<\/p>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.47.05-AM.png?w=480\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 615px, (max-width: 1440px) 615px, (max-width: 2560px) 615px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.47.05-AM.png?w=192 192w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.47.05-AM.png?w=384 384w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.47.05-AM.png?w=480 480w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.47.05-AM.png?w=615 615w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.47.05-AM.png?w=820 820w\" alt=\"\" width=\"460\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\"><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"p1\"><span class=\"s1\">Among the most expensive works included in a booth run by LGDR, a New York-based gallery that saw power dealers Dominique L\u00e9vy, <a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">Brett Gorvy<\/a>, Amalia Dayan and Jeanne Greenberg Rohatyn join forces last year, was by American abstract expressionist Willem de Kooning. The four-dealer enterprise<\/span><span class=\"s1\">\u00a0sold a 1970s work on paper that is mounted to canvas by the artist, which sold around its asking price of $2.9 million.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Among the other works it sold by artists whose careers peaked decades ago were Pierre Soulages, Leonor Fini, Keith Haring, and<\/span><span class=\"s1\">\u00a0<\/span><span class=\"s1\">G\u00fcnther Uecker, and more recent examples by Mickalene Thomas, Derrick Adams, and Magdalene Odundo.<\/span><\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234632085\" data-slide-index=\"3\" data-slide-position-display=\"4\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<p><span class=\"c-gallery-vertical-featured-image__number\">4.<\/span>Lynda Benglis at Xavier Hufkens<\/p>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-3.11.25-PM-e1655321132618.png?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-3.11.25-PM-e1655321132618.png?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-3.11.25-PM-e1655321132618.png?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-3.11.25-PM-e1655321132618.png?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-3.11.25-PM-e1655321132618.png?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-3.11.25-PM-e1655321132618.png?w=1200 1200w\" alt=\"Gold sculpture\" width=\"863\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\"><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p>A grail among the grouping that Brussels-based gallery Xavier Hufkens took to this year\u2019s edition of the fair was <a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">Lynda Benglis\u2019s<\/a> golden bronze sculpture\u00a0<em>Power Tower\u00a0<\/em>(2019). Benglis has since the 1960s become known for her poured-latex and metallic sculptures that take on free forms\u2014a style that deviated from the works once produced by the artist\u2019s minimalist peers.<\/p>\n<p>Selling the work for $1.2 million on the opening day, the dealer placed sculptures and wall-mounted neons by<span class=\"s1\">\u00a0Thomas Houseago and Tracey Emin, as well as paintings by Thierry De Cordier, McArthur Binion, Nicolas Party, Lesley Vance, Sayre Gomez and Matt Connors for prices between $52,000 and $500,000.<\/span><\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234632092\" data-slide-index=\"4\" data-slide-position-display=\"5\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<p><span class=\"c-gallery-vertical-featured-image__number\">5.<\/span>Robert Rauschenberg at Thaddaeus Ropac<\/p>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Rauschenberg.jpg?w=450\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 576px, (max-width: 1440px) 576px, (max-width: 2560px) 576px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Rauschenberg.jpg?w=180 180w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Rauschenberg.jpg?w=360 360w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Rauschenberg.jpg?w=450 450w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Rauschenberg.jpg?w=576 576w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Rauschenberg.jpg?w=767 767w\" alt=\"\" width=\"431\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\"><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p>Anchoring the booth for Thaddaeus Ropac, which has locations spanning London, Paris, Salzburg and Seoul, two paintings by Robert Rauschenberg produced in 1985 and 1982, respectively were among the most valuable that sold.<\/p>\n<p><i>Street Contract \/ ROCI MEXICO,\u00a0<\/i>a silkscreened collage painting that the artist produced as part of a series of paintings and wall reliefs made for the a cultural-exchange project he founded in Mexico City in 1985 went for $3.5 million. Another of his 1980s works,\u00a0<i>All Abordello Doze 2 (Japanese Recreational Claywork)<\/i>, a rendering of two entangled and bed-bound nude figures overlaid with images of Japanese script and a table still-life sold for $1.5 million.<\/p>\n<p>Works by Sturtevant, Martha Jungwirth and Roy Lichtenstein were also sold.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234632108\" data-slide-index=\"5\" data-slide-position-display=\"6\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<p><span class=\"c-gallery-vertical-featured-image__number\">6.<\/span>Hannah Wilke at Alison Jacques<\/p>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-4.12.17-PM.png?w=777\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 995px, (max-width: 2560px) 995px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-4.12.17-PM.png?w=311 311w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-4.12.17-PM.png?w=622 622w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-4.12.17-PM.png?w=777 777w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-4.12.17-PM.png?w=995 995w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-4.12.17-PM.png?w=1280 1280w\" alt=\"\" width=\"745\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\"><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p>At the London-based gallery <a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">Alison Jacques<\/a>, which touts its roster as being focused primarily on under-represented artists, many of whom are women, a 1976 sculptural work by American multi-hyphenate provocateur Hannah Wilke was among the top sales. Titled\u00a0<em>Rosebud,\u00a0<\/em>Wilke made the work out of poured nude-colored latex, the layered pieces of which take on a florid form and make allusions to the body, as many of Wilke\u2019s works did. It sold for $1.5 million, a price that rivals the mid-size dealer\u2019s blue-chip peers.<\/p>\n<p>In addition to sales of works by Sophie Barber and Maria Bartuszov\u00e1, the gallery sold others by Sheila Hicks, Erika Verzutti, Graham Little and Robert Mapplethorpe at prices between $35,000 and $160,000.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234632102\" data-slide-index=\"6\" data-slide-position-display=\"7\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<p><span class=\"c-gallery-vertical-featured-image__number\">7.<\/span>William Copley at Kasmin<\/p>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.53.39-AM-1-e1655322812376.png?w=752\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 962px, (max-width: 2560px) 962px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.53.39-AM-1-e1655322812376.png?w=301 301w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.53.39-AM-1-e1655322812376.png?w=601 601w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.53.39-AM-1-e1655322812376.png?w=752 752w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.53.39-AM-1-e1655322812376.png?w=962 962w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/06\/Screen-Shot-2022-06-15-at-9.53.39-AM-1-e1655322812376.png?w=1200 1200w\" alt=\"\" width=\"721\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\"><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"p1\">Kasmin dedicated a booth in the fair\u2019s\u00a0<i>Feature<\/i>\u00a0section to painted panels and sculptures by <a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">American artist William N. Copley<\/a> that he produced during a decade long stint in Paris. Being self-taught, Copley completed the works between the 1950s to 1960s during a pivotal period in which he began honing the satirical and sexual imagery for which his style became known. Copley relocated to Paris in 1951 from Los Angeles, with his work eventually forging links between Surrealist styles circulating in Europe and Pop art in the U.S.<\/p>\n<p class=\"p1\">On the opening day of the fair Kasmin sold three works from the booth at prices between $300,000-$425,000, including the 1957 painting\u00a0<i>F\u00eate Foraine,\u00a0<\/i>which references avante-garde circles and the northern French commune of Longpont where Copley picked up some of his main influences.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Source\uff1ahttps:\/\/www.artnews.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art Basel, the premier international art fair that takes place annually in Switzerland, returned for its 2022 edition, which had its VIP opening on Wednesday morning. 289 exhibitors drew crowds to the fair\u2019s exhibition site at Messe Basel, to which mega-dealers such as David Zwirner and Hauser &amp; Wirth brought some of their most blue-chip [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[5,13,7,4,3],"tags":[],"class_list":{"0":"post-1569","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist","8":"category-auction","9":"category-events","10":"category-gallery","11":"category-latest-news"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.9 - 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