Kerry James Marshall at David Zwirner<\/h2>\n<\/div>\n<\/div>\n![\"Painting](\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/10\/MARKE0268.jpg?w=781\")
<\/p>\n<\/div>\n<\/figure>\n\nKerry James Marshall,\u00a0Black and Part Black Birds in America: (Yellow headed Black bird; Black Chinned Hummingbird; Ruby Throated Hummingbird, male and female)<\/em>, 2022.<\/div>\nPhoto<\/span>\u00a0:\u00a0<\/span>\u00a9Kerry James Marshall\/Courtesy the artist and David Zwirner, London<\/span><\/div>\n\nSold for: $6 million<\/strong><\/p>\nKerry James Marshall\u2019s\u00a0Black and Part Black Birds in America: (Yellow headed Black bird; Black Chinned Hummingbird; Ruby Throated Hummingbird, male and female)<\/em>, 2022, made its debut at Frieze this week, and it was immediately snapped up by a museum that paid $6 million for it. (David Zwirner didn\u2019t say which museum it was, only that the institution was in the U.S.) The piece is from a series dealing with Blackness in relation to the paintings of John James Audubon, whose images of birds have proven insightful for artists and scientists alike. There are theories that Audubon\u2019s mother was a biracial Creole woman; some historians have disputed them. Marshall found himself struck by that theory, as well as another that Audubon may have relied upon the labor of enslaved people to help classify birds. While this painting is now only worth a third of the one that set his auction record, it is still among his most expensive works.<\/p>\n<\/div>\n<\/article>\n<\/div>\n\n\n\n\nPhilip Guston at Hauser & Wirth<\/h2>\n<\/div>\n<\/div>\n![\"Abstract](\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/10\/GUSTO73645-hires.jpg?w=688\")
<\/p>\n<\/div>\n<\/figure>\n\nPhilip Guston,\u00a0Looking<\/em>, 1964.<\/div>\nPhoto<\/span>\u00a0:\u00a0<\/span>Photo Genevieve Hanson\/\u00a9Estate of Philip Guston\/Courtesy the estate and Hauser & Wirth<\/span><\/div>\n\nSold for: $4.8 million<\/strong><\/p>\nAt Frieze Masters, the fair dedicated to works by artists of the 20th century, Hauser & Wirth sold Phillip Guston<\/a>\u2019s 1964 oil painting on paper\u00a0Looking<\/em>, which features a semi-abstract black figure painted against a grey-scale background. A European museum bought the piece for $4.8 million, the gallery said. The sale came amid the tour of a controversial Guston retrospectivethat is now at the Museum of Fine Arts, Houston. Meanwhile, the gallery sold a Hans Arp painted board piece for $1.2 million and a George Condo work on paper for $900,000. Pieces at Hauser & Wirth\u2019s booth by Jack Whitten, Rita Ackermann, Pipilotti Rist, Lee Lozano, Louise Bourgeois, and Maria Lassnig went to collections in Europe and the U.S.<\/p>\n<\/div>\n<\/article>\n<\/div>\n\n\n\n\nRobert Rauschenberg at Thaddaeus Ropac<\/h2>\n<\/div>\n<\/div>\n![\"Painting](\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/10\/Rauschenberg.jpeg?w=800\")
<\/p>\n<\/div>\n<\/figure>\n\nRobert Rauschenberg,\u00a0Bird Watch<\/em>, 1988.<\/div>\nPhoto<\/span>\u00a0:\u00a0<\/span>Photo Ronald Amstutz\/\u00a9Robert Rauschenberg Foundation\/<\/span><\/div>\n\nSold for: $1.8 million<\/strong><\/p>\nThe London-based dealer Thaddaeus Ropac sold a 1988 metal sculpture by Robert Rauschenberg for $1.8 million. Having come to sale from the Rauschenberg Foundation,\u00a0Bird Watch,\u00a0<\/em>a collaged diptych piece featuring wildlife imagery, is from a series of metal works that the artist began during a stint in Chile when researching for a cultural exchange program founded in his name. Ropac also sold paintings by Sturtevant and emerging artist Rachel Jones, for prices between \u00a3120,000 ($134,250) and \u00a3900,000 (just over $1 million).<\/p>\n<\/div>\n<\/article>\n<\/div>\n\n\n\n\nTracey Emin at Xavier Hufkens<\/h2>\n<\/div>\n<\/div>\n![\"Painting](\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/10\/Tracey-Emin.png?w=770\")
<\/p>\n<\/div>\n<\/figure>\n\nTracey Emin,\u00a0Leave me in my Own Space<\/em>, 2022.<\/div>\nPhoto<\/span>\u00a0:\u00a0<\/span>Courtesy the artist and Xavier Hufkens<\/span><\/div>\n\nSold for: $1.06 million<\/strong><\/p>\nAt Xavier Hufkens<\/a>\u2019s booth, a large-scale painting by Tracey Emin,\u00a0Leave me in my Own Space\u00a0<\/em>(2022),\u00a0<\/em>sold for just over \u00a3950,000 ($1.06 million). Also at the booth, works on paper by Emin went for prices between \u00a320,000 ($22,400) and \u00a345,000 ($50,300), and four of her neon works sold for around \u00a360,000 ($67,000) each, Hufkens said. The sales came ahead of a Christie\u2019s auction of an Emin painting that went for \u00a32.3 million ($2.57 million), falling just below her current auction record. Proceeds from that painting\u2019s sale will go toward a new art school Emin is launching at her coastal hometown of Margate.<\/p>\n<\/div>\n<\/article>\n<\/div>\n\n\n\n\nJad\u00e9 Fadojutimi at Gagosian<\/h2>\n<\/div>\n<\/div>\n![\"A](\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/10\/Jade-F..png?w=800\")
<\/p>\n<\/div>\n<\/figure>\n\nJad\u00e9 Fadojutimi,\u00a0Untitled<\/em>, 2022.<\/div>\nPhoto<\/span>\u00a0:\u00a0<\/span>\u00a9Jad\u00e9 Fadojutimi\/Photo Mark Blower\/Courtesy Gagosian<\/span><\/div>\n\nSold for: A price around $558,700<\/strong><\/p>\nGagosian reported that it sold a suite of large-scale paintings by Jad\u00e9 Fadojutimi, who is currently the subject of a solo exhibition at West Yorkshire\u2019s Hepworth Wakefield and whom the gallery announced added to its roster of artists in July. Though the dealer did not publicly disclose the sale prices, but\u00a0Artnet News<\/em>\u00a0reported<\/a>\u00a0that each work was listed for \u00a3500,000 ($558,700). While that number is below her auction record of $730,000, the sales are further evidence that market momentum surrounding the young painter has not yet died down.<\/p>\n<\/div>\n<\/article>\n<\/div>\n\n\n\n\nDaniel Richter at Grimm<\/h2>\n<\/div>\n<\/div>\n![\"Painting](\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/10\/Daniel-Richter_barbarischer-Fru%CC%88hling-2022_DR22001.jpg?w=745\")
<\/p>\n<\/div>\n<\/figure>\n\nDaniel Richter,\u00a0barbarischer Fr\u00fchling<\/em>, 2022.<\/div>\nPhoto<\/span>\u00a0:\u00a0<\/span>Courtesy the artist and Thaddaeus Ropac<\/span><\/div>\n\nSold for: $330,000<\/strong><\/p>\nGrimm featured a new work by German artist Daniel Richter,\u00a0barbarischer Fr\u00fchling<\/em>\u00a0(2022), which depicts a yellow-outlined figure caught mid-movement. The piece sold to a foundation for \u20ac340,000 ($330,000), making it one of the most expensive works by a living artist at Frieze.\u00a0Grimm also sold two large paintings by Francesca Mollett for prices between $21,000 and $23,000, with one going to a museum in Asia, as well as works by Caroline Walker, Arturo Kameya, Gabriella Boyd, Rosalind Nashashibi, Matthias Franz, Anthony Cudahy and Angela Heisch.<\/p>\n<\/div>\n<\/article>\n<\/div>\n\n\n\n\nCinga Samson at White Cube<\/h2>\n<\/div>\n<\/div>\n![\"Diptych](\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/10\/Cinga-Samson.png?w=800\")
<\/p>\n
<\/p>\nPhoto<\/span>\u00a0:\u00a0<\/span>\u00a9Kerry James Marshall\/Courtesy the artist and David Zwirner, London<\/span><\/div>\n Sold for: $6 million<\/strong><\/p>\n Kerry James Marshall\u2019s\u00a0Black and Part Black Birds in America: (Yellow headed Black bird; Black Chinned Hummingbird; Ruby Throated Hummingbird, male and female)<\/em>, 2022, made its debut at Frieze this week, and it was immediately snapped up by a museum that paid $6 million for it. (David Zwirner didn\u2019t say which museum it was, only that the institution was in the U.S.) The piece is from a series dealing with Blackness in relation to the paintings of John James Audubon, whose images of birds have proven insightful for artists and scientists alike. There are theories that Audubon\u2019s mother was a biracial Creole woman; some historians have disputed them. Marshall found himself struck by that theory, as well as another that Audubon may have relied upon the labor of enslaved people to help classify birds. While this painting is now only worth a third of the one that set his auction record, it is still among his most expensive works.<\/p>\n<\/div>\n<\/article>\n<\/div>\n Photo<\/span>\u00a0:\u00a0<\/span>Photo Genevieve Hanson\/\u00a9Estate of Philip Guston\/Courtesy the estate and Hauser & Wirth<\/span><\/div>\n Sold for: $4.8 million<\/strong><\/p>\n At Frieze Masters, the fair dedicated to works by artists of the 20th century, Hauser & Wirth sold Phillip Guston<\/a>\u2019s 1964 oil painting on paper\u00a0Looking<\/em>, which features a semi-abstract black figure painted against a grey-scale background. A European museum bought the piece for $4.8 million, the gallery said. The sale came amid the tour of a controversial Guston retrospectivethat is now at the Museum of Fine Arts, Houston. Meanwhile, the gallery sold a Hans Arp painted board piece for $1.2 million and a George Condo work on paper for $900,000. Pieces at Hauser & Wirth\u2019s booth by Jack Whitten, Rita Ackermann, Pipilotti Rist, Lee Lozano, Louise Bourgeois, and Maria Lassnig went to collections in Europe and the U.S.<\/p>\n<\/div>\n<\/article>\n<\/div>\n Photo<\/span>\u00a0:\u00a0<\/span>Photo Ronald Amstutz\/\u00a9Robert Rauschenberg Foundation\/<\/span><\/div>\n Sold for: $1.8 million<\/strong><\/p>\n The London-based dealer Thaddaeus Ropac sold a 1988 metal sculpture by Robert Rauschenberg for $1.8 million. Having come to sale from the Rauschenberg Foundation,\u00a0Bird Watch,\u00a0<\/em>a collaged diptych piece featuring wildlife imagery, is from a series of metal works that the artist began during a stint in Chile when researching for a cultural exchange program founded in his name. Ropac also sold paintings by Sturtevant and emerging artist Rachel Jones, for prices between \u00a3120,000 ($134,250) and \u00a3900,000 (just over $1 million).<\/p>\n<\/div>\n<\/article>\n<\/div>\n Photo<\/span>\u00a0:\u00a0<\/span>Courtesy the artist and Xavier Hufkens<\/span><\/div>\n Sold for: $1.06 million<\/strong><\/p>\n At Xavier Hufkens<\/a>\u2019s booth, a large-scale painting by Tracey Emin,\u00a0Leave me in my Own Space\u00a0<\/em>(2022),\u00a0<\/em>sold for just over \u00a3950,000 ($1.06 million). Also at the booth, works on paper by Emin went for prices between \u00a320,000 ($22,400) and \u00a345,000 ($50,300), and four of her neon works sold for around \u00a360,000 ($67,000) each, Hufkens said. The sales came ahead of a Christie\u2019s auction of an Emin painting that went for \u00a32.3 million ($2.57 million), falling just below her current auction record. Proceeds from that painting\u2019s sale will go toward a new art school Emin is launching at her coastal hometown of Margate.<\/p>\n<\/div>\n<\/article>\n<\/div>\n Photo<\/span>\u00a0:\u00a0<\/span>\u00a9Jad\u00e9 Fadojutimi\/Photo Mark Blower\/Courtesy Gagosian<\/span><\/div>\n Sold for: A price around $558,700<\/strong><\/p>\n Gagosian reported that it sold a suite of large-scale paintings by Jad\u00e9 Fadojutimi, who is currently the subject of a solo exhibition at West Yorkshire\u2019s Hepworth Wakefield and whom the gallery announced added to its roster of artists in July. Though the dealer did not publicly disclose the sale prices, but\u00a0Artnet News<\/em>\u00a0reported<\/a>\u00a0that each work was listed for \u00a3500,000 ($558,700). While that number is below her auction record of $730,000, the sales are further evidence that market momentum surrounding the young painter has not yet died down.<\/p>\n<\/div>\n<\/article>\n<\/div>\n Photo<\/span>\u00a0:\u00a0<\/span>Courtesy the artist and Thaddaeus Ropac<\/span><\/div>\n Sold for: $330,000<\/strong><\/p>\n Grimm featured a new work by German artist Daniel Richter,\u00a0barbarischer Fr\u00fchling<\/em>\u00a0(2022), which depicts a yellow-outlined figure caught mid-movement. The piece sold to a foundation for \u20ac340,000 ($330,000), making it one of the most expensive works by a living artist at Frieze.\u00a0Grimm also sold two large paintings by Francesca Mollett for prices between $21,000 and $23,000, with one going to a museum in Asia, as well as works by Caroline Walker, Arturo Kameya, Gabriella Boyd, Rosalind Nashashibi, Matthias Franz, Anthony Cudahy and Angela Heisch.<\/p>\n<\/div>\n<\/article>\n<\/div>\nPhilip Guston at Hauser & Wirth<\/h2>\n<\/div>\n<\/div>\n
<\/p>\nRobert Rauschenberg at Thaddaeus Ropac<\/h2>\n<\/div>\n<\/div>\n
<\/p>\nTracey Emin at Xavier Hufkens<\/h2>\n<\/div>\n<\/div>\n
<\/p>\nJad\u00e9 Fadojutimi at Gagosian<\/h2>\n<\/div>\n<\/div>\n
<\/p>\nDaniel Richter at Grimm<\/h2>\n<\/div>\n<\/div>\n
<\/p>\nCinga Samson at White Cube<\/h2>\n<\/div>\n<\/div>\n
<\/p>\n