{"id":1726,"date":"2022-12-05T16:22:10","date_gmt":"2022-12-05T08:22:10","guid":{"rendered":"https:\/\/www.atelierauction.com\/globalupdates\/?p=1726"},"modified":"2022-12-05T16:25:49","modified_gmt":"2022-12-05T08:25:49","slug":"after-turning-to-painting-late-in-life-former-navy-fighter-pilot-ted-hartley-hosts-a-benefit-exhibition-for-ukraine","status":"publish","type":"post","link":"https:\/\/www.atelierauction.com\/globalupdates\/artist\/after-turning-to-painting-late-in-life-former-navy-fighter-pilot-ted-hartley-hosts-a-benefit-exhibition-for-ukraine\/","title":{"rendered":"After Turning to Painting Late in Life, Former Navy Fighter Pilot Ted Hartley Hosts a Benefit Exhibition for Ukraine"},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m \">On a Tuesday evening last month, just before Thanksgiving, artist\u00a0<a id=\"auto-tag_ted-hartley\" href=\"https:\/\/www.atelierauction.com\/globalupdates\/\" data-tag=\"ted-hartley\">Ted Hartley<\/a>\u00a0was at a dinner to celebrate his recently exhibition of new paintings at\u00a0<a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Keyes Gallery<\/a>\u00a0in Sag Harbor, New York. As the dozen oysters he\u2019d ordered were laid out in front of him, he was prompted to explain the inspiration for his latest body of work.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">\u201cIt\u2019s about walls,\u201d Hartley said. \u201cWhen you run into a wall you either have to get over it, go under it, get around it, or break it down. Life is about dealing with walls. It\u2019s about not letting fear get the better of you\u201d he said. After a moment to himself, he picked an oyster, swallowed it down, and placed its shell upside down on the tray of crushed ice.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">Apart from its zip code,<strong>\u00a0<\/strong>an exhibition opening in Sag Harbor is not unlike one at a smaller gallery in Tribeca or Chelsea, or any in Brooklyn. The main difference, however, is the complete lack of pretense or cynicism,<strong>\u00a0<\/strong>noticeable upon entering the gallery.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">The atmosphere was quite nonchalant for one of the chicest enclaves on Long Island, and by proxy in all of New York State. About 20 people filled the room, for a night full of conversation, appreciation, and very good wine served out of thin plastic flutes.<\/p>\n<div class=\"post-content-image \/\/ \" style=\"text-align: center;\">\n<figure class=\"o-figure size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto alignnone\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/12\/TH.0259_WOODS_GJM3191.jpg?w=1483\" sizes=\"auto, (min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/12\/TH.0259_WOODS_GJM3191.jpg 5400w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/12\/TH.0259_WOODS_GJM3191.jpg?resize=400,540 400w\" alt=\"A semi-abstract painting with thick brushstrokes in greens, blues, yellows, and browns of a forest. \" width=\"1483\" height=\"2000\" data-lazy-loaded=\"1\" \/><\/div>\n<\/div><figcaption class=\"c-figcaption lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Ted Hartley,\u00a0<em>Woods<\/em>, 2021.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\"><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">PHOTO GARY MAMAY<\/p>\n<p><\/cite><\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ a-font-body-m \">On view in the exhibition, which runs until December 5, was Hartley\u2019s<em>\u00a0<\/em>\u201c<a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">Ukraine\u00a0Series<\/a><em>,<\/em>\u201d\u00a0a collection of three punchy abstract works in blue, red, black, and yellow that bring together the influences of Post-Impressionism and Abstract Expressionism.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">\u201cPaintings have to start with an impulse, with something that lets you play around with it,\u201d Hartley said. \u201cLike trying to eat a new kind of a noodle. How do you want to go about this? And then you build around that feeling. You build layer upon layer upon layer.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">The exhibition\u2019s grand dame was\u00a0<em>Kyiv: Pro Patria<\/em>, in which<strong>\u00a0<\/strong>slivers of red, yellow, and blue race toward the center of the painting and collide, bouncing off each other, before fragmenting and becoming wisps. The colors at first seem divided, the top of the picture consists mainly of shades of red while the lower half is primarily blue and yellow. But with a closer look, the yellow and blue are creeping upwards. They are gaining ground.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">Another look at the title and the analogy is clear. The painting is an abstraction of the Battle of Kyiv, which began in late February 2022 when Russian forces attack Kyiv\u2019s Hostomel airport as part of the country\u2019s\u00a0<a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\" target=\"_blank\" rel=\"nofollow noopener\">invasion of Ukraine<\/a>; it ended on March 29 when a Ukrainian counter-offensive that\u00a0<a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\" target=\"_blank\" rel=\"nofollow noopener\">forced a Russian withdrawal<\/a>.\u00a0In Hartley\u2019s view, the Ukrainians saw their wall, then they broke through it.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \"><em>Kyiv: Pro Patria\u00a0<\/em>sold for $50,000 with the proceeds for to the Red Cross in Ukraine and two smaller civilian charities. Proceeds for the similarly priced other two works from the series,\u00a0<em>Red Flight from Izium<\/em>\u00a0and\u00a0<em>Retreat from Snake Island<\/em>,\u00a0are earmarked for the Olena Zelenska Foundation, a charity formed by the First Lady of Ukraine.<\/p>\n<div class=\"post-content-image \/\/ \" style=\"text-align: center;\">\n<figure class=\"o-figure size-large alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto alignnone\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/12\/2022_RED-FLIGHT-FROM-IZIUM-by-Ted-Hartley.jpg?w=2000\" sizes=\"auto, (min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/12\/2022_RED-FLIGHT-FROM-IZIUM-by-Ted-Hartley.jpg 5250w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/12\/2022_RED-FLIGHT-FROM-IZIUM-by-Ted-Hartley.jpg?resize=150,150 150w, https:\/\/www.artnews.com\/wp-content\/uploads\/2022\/12\/2022_RED-FLIGHT-FROM-IZIUM-by-Ted-Hartley.jpg?resize=400,400 400w\" alt=\"An abstract painting consisting of long, thick brushstrokes. The lower third and majority of the left-side of the canvas are wisps of blue and yellow, while the upper right is mostly red. The blue and yellow appear to overtake the red. \" width=\"2000\" height=\"2000\" data-lazy-loaded=\"1\" \/><\/div>\n<\/div><figcaption class=\"c-figcaption lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Ted Hartley,\u00a0<em>Red Flight From Izium<\/em>, 2022.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\"><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">PHOTO GARY MAMAY<\/cite><\/cite>&nbsp;<\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ a-font-body-m \">In his own life,<strong>\u00a0<\/strong>Hartley, too, has seen his share of walls. When he arrived at the gallery, he was on forearm crutches, the result of a recent surgery, meant<strong>\u00a0<\/strong>\u201cto repair some old flying wounds.\u201d That\u2019s Hartley\u2019s way of describing the end of his career as a Lieutenant Commander in the U.S. Navy, during which time he was<strong>\u00a0<\/strong>a fighter pilot, a congressional liaison for the Pentagon, and a White House aide during both the Eisenhower and Kennedy administrations.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">\u201cI have a lot of respect for them in Ukraine, I\u2019m so behind them,\u201d Hartley said. \u201cIf it were 30 or 40 years ago, I\u2019d be over there in an airplane fighting with them.\u201d In\u00a01964, an accident while landing his F9F-8 fighter jet on aircraft carrier in heavy rain left him with a broken back.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">Forced into disability retirement, Hartley chose to go to Harvard Business School after a period of recuperation that lead him first to a second career in investment banking and then, after a chance meeting in Los Angeles, a third one in Hollywood. He started out in the \u201960s as a regular on the soap opera,\u00a0<em>Payton Place<\/em>, landed film roles alongside Cary Grant and Clint Eastwood, and in the \u201970s starred in the police drama\u00a0<em>Chopper One.\u00a0<\/em>In 1989, with his wife, actress and philanthropist Dina Merill, he secured a controlling interest in RKO Pictures, a staple studio in Hollywood\u2019s Golden Age.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">The painting came later in life. In the late aughts, Merrill became ill, and to keep her spirits up, Hartley began hosting painting classes for her and her friends twice a week in their East Hampton home. After she passed, in 2017, Hartley continued to paint, and had his first solo show was at Keyes in 2019.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">\u201cHe has the hand of a much younger man,\u201d French author and textile wizard Olivier Nourry told me during the opening. Nourry moved close to a canvas depicting lush green pines, one of the few works in the gallery that were not purely abstract. \u201cThis one, you see? There is life in these trees. Strength. You can almost smell the bark, no?\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">Speaking of his late-in-life turn to art, Hartley said at the dinner, \u201cIt comes down to fear. Fear comes into every decision we make. What if I\u2019m wrong? What if it doesn\u2019t work this way? What if I am gonna look stupid? If we can give up that fear of failure, we can do better things.\u201d<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">After taking a sip of his vodka Manhattan, he added, \u201cBut what do I know, <a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">I\u2019m an optimist<\/a>.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Source\uff1ahttps:\/\/www.artnews.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On a Tuesday evening last month, just before Thanksgiving, artist\u00a0Ted Hartley\u00a0was at a dinner to celebrate his recently exhibition of new paintings at\u00a0Keyes Gallery\u00a0in Sag Harbor, New York. As the dozen oysters he\u2019d ordered were laid out in front of him, he was prompted to explain the inspiration for his latest body of work. \u201cIt\u2019s [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1729,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[5,13,7,4,3],"tags":[],"class_list":{"0":"post-1726","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist","8":"category-auction","9":"category-events","10":"category-gallery","11":"category-latest-news"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>After Turning to Painting Late in Life, Former Navy Fighter Pilot Ted Hartley Hosts a Benefit Exhibition for Ukraine - Investable Art Auctioneer<\/title>\n<meta name=\"description\" content=\"On a Tuesday evening last month, just before Thanksgiving, artist\u00a0Ted Hartley\u00a0was at a dinner to celebrate his recently exhibition of new paintings at\u00a0Keyes Gallery\u00a0in Sag Harbor, New York.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.atelierauction.com\/globalupdates\/artist\/after-turning-to-painting-late-in-life-former-navy-fighter-pilot-ted-hartley-hosts-a-benefit-exhibition-for-ukraine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"After Turning to Painting Late in Life, Former Navy Fighter Pilot Ted Hartley Hosts a Benefit Exhibition for Ukraine - 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