{"id":1856,"date":"2023-05-21T22:51:05","date_gmt":"2023-05-21T14:51:05","guid":{"rendered":"https:\/\/www.atelierauction.com\/globalupdates\/?p=1856"},"modified":"2023-05-21T22:51:05","modified_gmt":"2023-05-21T14:51:05","slug":"posthumous-revivals-and-emerging-artists-top-sales-at-frieze-new-yorks-2023-edition","status":"publish","type":"post","link":"https:\/\/www.atelierauction.com\/globalupdates\/artist\/posthumous-revivals-and-emerging-artists-top-sales-at-frieze-new-yorks-2023-edition\/","title":{"rendered":"Posthumous Revivals and Emerging Artists Top Sales at Frieze New York\u2019s 2023 Edition"},"content":{"rendered":"<div class=\"featured-image\" style=\"text-align: center;\">\n<figure class=\"o-figure lrv-u-max-width-100p\">\n<div class=\"c-lazy-image \">\n<div class=\"lrv-a-crop-4x3\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/GHW-FRIEZE-NY-2305_1-1.jpg?w=2000\" sizes=\"auto, (min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/GHW-FRIEZE-NY-2305_1-1.jpg 3600w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/GHW-FRIEZE-NY-2305_1-1.jpg?resize=400,234 400w\" alt=\"Gallery booth installation.\" width=\"931\" height=\"544\" \/><\/div>\n<\/div><figcaption class=\"c-figcaption lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\" lrv-u-font-size-14@desktop\">Installation of work by Jack Whitten at Hauser &amp; Wirth&#8217;s booth at Frieze New York May 17, 2023.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">COURTESY HAUSER &amp; WIRTH<\/cite><\/figcaption><\/figure>\n<\/div>\n<div class=\"a-content a-content--offset lrv-a-floated-parent lrv-u-font-family-body lrv-u-line-height-normal lrv-u-font-size-18\">\n<p class=\"paragraph larva \/\/ a-font-body-m \">The 11th edition of <a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">Frieze New York<\/a> returned to the Shed in Hudson Yards this week, opening on Wednesday for VIP fairgoers and running until Sunday. Hosting 68 galleries this year, the fair\u2019s opening hours were buzzing, likely a showing of strength for New York\u2019s art market over that of London and Hong Kong.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">On the opening day, sales were brisk, with mega-dealers disclosing seven-figure deals and smaller gallery\u2019s seeing investments in newer names. Among the fair\u2019s top sales, which are all self-reported, came from Pace, which sold out its solo booth of works by Brooklyn-based painter Robert Nava (for prices between $30,000 and 80,000) and David Zwirner, who sold multipled works by Suzan Frecon ($50,000\u2013$500,000).<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">Meanwhile, smaller players also fared well. Los Angeles\u2019s Ch\u00e2teau Shatto completely sold out their presentation of paintings by Julia Yerger ranging from $10,000 to $12,000, and New York\u2019s 303 Gallery selling pieces by\u00a0Doug Aitken,\u00a0Cassi Namoda,\u00a0Tanya Merril,\u00a0Sam Falls,\u00a0Alicia Kwade,\u00a0Jeppe Heine,\u00a0Rob Pruitt, and\u00a0Sue Williams.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m \">Below, a look at some of the fair\u2019s standout sales.<\/p>\n<p>&nbsp;<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<div class=\"&quot;GoogleActiveViewInnerContainer&quot;style=&quot;left:0px;top:0px;width:100%;height:100%;position:fixed;pointer-events:none;z-index:-9999;&quot;\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\">Jack Whitten at Hauser &amp; Wirth<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/WHITT95159-e1684437615537.jpg?w=595\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 762px, (max-width: 1440px) 762px, (max-width: 2560px) 762px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/WHITT95159-e1684437615537.jpg?w=238 238w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/WHITT95159-e1684437615537.jpg?w=476 476w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/WHITT95159-e1684437615537.jpg?w=595 595w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/WHITT95159-e1684437615537.jpg?w=762 762w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/WHITT95159-e1684437615537.jpg?w=1016 1016w\" alt=\"Abstract painting.\" width=\"570\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\"><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-slide__photo-credit-wrapper\">\n<div class=\"c-gallery-vertical-featured-image__caption\" style=\"text-align: center;\">Jack Whitten,\u00a0<em>Untitled, 1976.<\/em><\/div>\n<p><span class=\"c-gallery-vertical-slide__photo-credit-text\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">Sarah Muehlbauer.<\/span><\/p>\n<\/div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">A group of works by Jack Whitten was the spotlight of Hauser &amp; Wirth\u2019s booth. The dealer has been active in increasing the exposure and prices for art by Whitten, who died in 2018 at the age of 78. By the end of the fair\u2019s opening VIP preview day on Wednesday, five of Whitten\u2019s works, including paintings and one sculpture, sold. The top sale was for a 1976 untitled abstract acrylic on canvas, featuring a grey geometric form on a beige background, which sold for $2.5 million. It was one of the few seven-figure prices confirmed in the fair\u2019s opening hours. Four additional works, produced between 1991 and 2015, sold at prices between $160,000 to $950,000.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m\">\u201cFive years after his death, Jack\u2019s work continues revealing new and incredible powers,\u201d Hauser &amp; Wirth president Marc Payot said in a statement following the fair\u2019s first day. \u201cIf only Jack could be here to witness the ways his art has captivated new generations of curators, collectors, scholars and the public. It\u2019s a poignant moment for us, and a true honor to place these exceptional works in some of the most prestigious museum and private collections in the United States.\u201d<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234668928\" data-slide-index=\"0\" data-slide-position-display=\"1\">\n<div class=\"c-gallery-vertical__advert\">\n<div id=\"adm-in-list-1\" class=\"admz \">\n<div class=\"adma boomerang \" data-device=\"Desktop\" data-width=\"300\">\n<div class=\"pmc-adm-boomerang-pub-div ad-text\" data-priority=\"8\">\n<div id=\"gpt-dsk-tab-list-inlist1-uid0\" class=\" adw-300 adh-250\" data-is-adhesion-ad=\"\" data-google-query-id=\"CPeDsqXBhv8CFQIaKgodmHULTA\">\n<div id=\"google_ads_iframe_\/8352\/artnews\/list\/in-list1_0__container__\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234668931\" data-slide-index=\"1\" data-slide-position-display=\"2\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\"><strong>Pamela Rosenkranz at Spr\u00fcth Magers and Karma International<\/strong><\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Spreuth-and-Karma_Pamela-Rosenkranz-e1684438723827.jpg?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Spreuth-and-Karma_Pamela-Rosenkranz-e1684438723827.jpg?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Spreuth-and-Karma_Pamela-Rosenkranz-e1684438723827.jpg?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Spreuth-and-Karma_Pamela-Rosenkranz-e1684438723827.jpg?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Spreuth-and-Karma_Pamela-Rosenkranz-e1684438723827.jpg?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Spreuth-and-Karma_Pamela-Rosenkranz-e1684438723827.jpg?w=1200 1200w\" alt=\"Gallery installation\" width=\"862\" height=\"575\" \/><\/figure>\n<div class=\"c-gallery-vertical-slide__photo-credit-wrapper\">\n<div class=\"c-gallery-vertical-featured-image__caption\" style=\"text-align: center;\">Installation of Pamela Rosenkranz&#8217;s sculptural work.<\/div>\n<p><span class=\"c-gallery-vertical-slide__photo-credit-text\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">Courtesy Frieze.<\/span><\/p>\n<\/div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">In a joint presentation, <a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">Spr\u00fcth Magers and Karma International<\/a> placed multiple works from their solo presentation of Swiss multimedia artist Pamela Rosenkranz. Rosenkranz uses light as a main element of her practice, which spans performance, sculpture, painting, and installations. New works made for the fair draw further on the artist\u2019s use of mirrors, extending the themes she explored in her 2021 exhibition at the Kunsthalle Bregenz in Vienna. From the presentation at Frieze, the European dealers sold\u00a0<em>Anamazon (Wish Things<\/em>) and\u00a0<em>Anamazon (Amasses)<\/em>, both made in 2023, for a price of $75,000 each to European collections. Other works spanning painting, sculpture, and works on paper were acquired by private collectors based in Asia, Europe, and the US, a representative for the galleries confirmed. (The sale prices of those works were not disclosed.)<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234668942\" data-slide-index=\"2\" data-slide-position-display=\"3\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\">Sam Lipp at Derosia<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Derosia_Sam-Lipp-e1684439124540.jpeg?w=701\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 897px, (max-width: 2560px) 897px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Derosia_Sam-Lipp-e1684439124540.jpeg?w=280 280w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Derosia_Sam-Lipp-e1684439124540.jpeg?w=561 561w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Derosia_Sam-Lipp-e1684439124540.jpeg?w=701 701w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Derosia_Sam-Lipp-e1684439124540.jpeg?w=897 897w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Derosia_Sam-Lipp-e1684439124540.jpeg?w=1196 1196w\" alt=\"A painting showing a close-up of a person's face on a black background. \" width=\"845\" height=\"723\" \/><\/figure>\n<div class=\"c-gallery-vertical-slide__photo-credit-wrapper\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">Courtesy Frieze<\/span><\/div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">In the Focus section of the fair, which is dedicated to galleries in business for 12 years or fewer, New York gallery Derosia\u00a0(formerly Bodega) sold a group\u00a0of paintings by\u00a034-year-old painter Sam Lipp,\u00a0at prices ranging between $8,000 to $20,0000. A highlight came in the form of\u00a0<em>Joe (Flesh),<\/em> from 2023, which features a recurring subject in Lipp\u2019s paintings: men whose cropped bodies and facial expressions are often ambiguously rendered, on metal surfaces.<\/p>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234668942\" data-slide-index=\"2\" data-slide-position-display=\"3\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">In the Focus section of the fair, which is dedicated to galleries in business for 12 years or fewer, New York gallery Derosia\u00a0(formerly Bodega) sold a group\u00a0of paintings by\u00a034-year-old painter Sam Lipp,\u00a0at prices ranging between $8,000 to $20,0000. A highlight came in the form of\u00a0<em>Joe (Flesh),<\/em> from 2023, which features a recurring subject in Lipp\u2019s paintings: men whose cropped bodies and facial expressions are often ambiguously rendered, on metal surfaces.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234668947\" data-slide-index=\"3\" data-slide-position-display=\"4\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\">Naudline Pierre at James Cohan<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-12.57.47-PM-e1684439239582.png?w=731\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 936px, (max-width: 2560px) 936px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-12.57.47-PM-e1684439239582.png?w=292 292w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-12.57.47-PM-e1684439239582.png?w=585 585w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-12.57.47-PM-e1684439239582.png?w=731 731w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-12.57.47-PM-e1684439239582.png?w=936 936w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-12.57.47-PM-e1684439239582.png?w=1150 1150w\" alt=\"\" width=\"700\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\"><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">For it return to Frieze New York this year, <a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">Tribeca gallery James Cohan<\/a> brought a solo presentation by Naudline Pierre. The Brooklyn-based artist has recently become the subject of heightening attention following a show at the Dallas Museum of Art last year. In a statement, the gallery described her sculptures as \u201cdistinctly narrative\u201d in their futuristic architectural elements that shows Pierre\u2019s focus on \u201cworld-building\u201d that continues into her paintings. Cohan\u2019s presentation of Pierre\u2019s work also comes ahead of Pierre\u2019s first solo museum exhibition in New York, at the the Drawing Center. The dealer reported that by the end of the fair\u2019s first day it sold out the entire booth, at prices ranging from $45,000 to $130,000. It placed one work, the title of which was not disclosed, to an unnamed US institution.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234668950\" data-slide-index=\"4\" data-slide-position-display=\"5\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\">Matthew Ronay\u00a0at Casey Kaplan<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-3.51.40-PM.png?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-3.51.40-PM.png?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-3.51.40-PM.png?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-3.51.40-PM.png?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-3.51.40-PM.png?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2023\/05\/Screen-Shot-2023-05-18-at-3.51.40-PM.png?w=1280 1280w\" alt=\"\" width=\"861\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\"><\/div>\n<\/figure>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\"><a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">New York\u2019s Casey Kaplan<\/a> sold a major sculptural installation that was the sole focus of its booth by\u00a0the Kentucky-born, New York\u2013based artist Matthew Ronay. Going for $300,000, Ronay\u2019s monumental\u00a0<em>The Crack<\/em>,\u00a0<em>The Swell, an Od<\/em>e (2022) was among the largest works installed at the fair. Spanning 24 feet, the multi-part sculpture features Ronay\u2019s signature style, using basswood, epoxy, and steel to create surrealist-inflected organic forms. This presentation comes on the heels of a solo exhibition for the artist at the Nasher Sculpture Center in Dallas that closed in January.<\/p>\n<\/div>\n<\/article>\n<\/div>\n<\/article>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234668942\" data-slide-index=\"2\" data-slide-position-display=\"3\">\n<p>Source: https:\/\/www.artnews.com\/<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Installation of work by Jack Whitten at Hauser &amp; Wirth&#8217;s booth at Frieze New York May 17, 2023.COURTESY HAUSER &amp; WIRTH The 11th edition of Frieze New York returned to the Shed in Hudson Yards this week, opening on Wednesday for VIP fairgoers and running until Sunday. Hosting 68 galleries this year, the fair\u2019s opening [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[5,13,7,4,3],"tags":[],"class_list":{"0":"post-1856","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-artist","7":"category-auction","8":"category-events","9":"category-gallery","10":"category-latest-news"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Posthumous Revivals and Emerging Artists Top Sales at Frieze New York\u2019s 2023 Edition - Investable Art Auctioneer<\/title>\n<meta name=\"description\" content=\"The 11th edition of Frieze New York returned to the Shed in Hudson Yards this week, opening on Wednesday for VIP fairgoers and running until Sunday.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.atelierauction.com\/globalupdates\/artist\/posthumous-revivals-and-emerging-artists-top-sales-at-frieze-new-yorks-2023-edition\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Posthumous Revivals and Emerging Artists Top Sales at Frieze New York\u2019s 2023 Edition - 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