{"id":1879,"date":"2023-06-26T14:44:24","date_gmt":"2023-06-26T06:44:24","guid":{"rendered":"https:\/\/www.atelierauction.com\/globalupdates\/?p=1879"},"modified":"2023-06-26T14:44:24","modified_gmt":"2023-06-26T06:44:24","slug":"i-did-it-my-way-how-rita-asfour-captured-bodies-in-motion","status":"publish","type":"post","link":"https:\/\/www.atelierauction.com\/globalupdates\/artist\/i-did-it-my-way-how-rita-asfour-captured-bodies-in-motion\/","title":{"rendered":"\u201cI Did It My Way\u201d: How Rita Asfour Captured Bodies in Motion"},"content":{"rendered":"

Rita Asfour<\/a>\u00a0was not like most artists. How many painters would leave Southern California\u2019s artistic community for Las Vegas\u2014then come out of retirement to paint showgirls, no less?<\/p>\n

Then again, most artists were not Rita Asfour. The late painter, sculptor, and gallerist blew up the walls separating highbrow and lowbrow, then danced on the rubble.<\/p>\n

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Left,\u00a0Puppet<\/em>, mixed mediums on masonite, 48 by 32 inches, and right,\u00a0Ruby<\/em>, mixed mediums on masonite, 48 by 32 inches.<\/span>COURTESY OF RITA ASFOUR<\/cite><\/a><\/figcaption><\/figure>\n<\/div>\n

Born Markrit Thomassian<\/a> in 1933, Asfour was the child of refugees who had settled in Egypt after the Armenian Genocide. When she was only eight years, Hitler bombed Egypt; to negate the unpleasant images in her mind, Asfour used crayons to paint flowers. This formative traumatic experience inspired her to spend her life creating beautiful art. Asfour received her early art education at the Leonardo da Vinci Italian International School in Cairo, then worked as a commercial illustrator in Beirut for five years. After emigrating to the U.S. in 1965, she found work as a sketch artist for tourists at Universal Studios in Hollywood. Those inverted professional experiences\u2014rendering photorealistic portrayals of glamorous women in everyday settings, then capturing everyday people in a glamorous setting\u2014informed the keen observational eye Asfour would bring to her later impressionist-style work.<\/p>\n

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Left,\u00a0Helping Hands<\/em>, pastel on board, 40 by 32 inches, and right,\u00a0First Worries<\/em>, pastel on board, 29 by 20 inches.<\/span>COURTESY OF RITA ASFOUR<\/cite><\/figcaption><\/figure>\n<\/div>\n

Asfour settled in Malibu, where she lived for 30 years. That period was her most prolific, painting seascapes and experimenting with various artistic mediums. Here, she developed her style and became embedded in the Los Angeles art community, opening her own gallery, Galerie Camille, in Beverly Hills in 1970. She attracted a number of celebrity clients who commissioned her to paint portraits of then-President Richard Nixon\u2019s daughter Tricia, singer Ella Fitzgerald, and\u00a0Los Angeles Times<\/em>\u00a0publisher Otis Chandler.<\/p>\n

It was in Malibu, too, that Asfour pursued one of the major throughlines of her career: painting ballet students in motion. She was inspired to focus on dancers after seeing Pepperdine University students perform, observing the corps backstage on multiple occasions. Asfour also shadowed toddler-age dancers at Ballet Studio By The Sea, a private dance studio. She was intrigued by the age groups\u2019 divergent approaches to dance: The Pepperdine dancers approached their craft with rigor and acute self-imposed expectations, while the toddlers were genial and unself-conscious. \u201cIt was a joy to watch the little marvels give it all they had in a show that sometimes lasted only a few minutes,\u201d Asfour recalled in the exhibition brochure of a 2016 retrospective at the University of Nevada Las Vegas\u2019s College of Fine Arts.<\/p>\n

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Left,\u00a0It\u2019s Me<\/em>, oil on canvas, 20 by 24 inches, and right,\u00a0Second Thoughts<\/em>, pastel on board, 22 by 28 inches.<\/span>COURTESY OF RITA ASFOUR<\/cite><\/figcaption><\/figure>\n<\/div>\n

Asfour married aerospace engineer Jeffrey Asfour in Las Vegas in 1965, and had one child, her daughter Amber, in 1973. That first trip to Las Vegas proved hugely formative: Asfour returned to the city on multiple occasions, taking in shows on the strip. Just as she had the ballet dancers in Malibu, Asfour was struck by Vegas showgirls\u2014their physicality, the intricacy and vibrancy of their costumes. This, too, would prove to be a lasting obsession. When she moved to Las Vegas in 2012, Asfour planned to retire from painting. But\u00a0Jubilee!<\/em>, a long-running revue at Bally\u2019s Casino\u2014as well as her friendship with a former showgirl who had fallen on hard times after her performing career ended\u2014inspired Asfour to dedicate the final decade of her career to painting showgirls.<\/p>\n

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COURTESY OF RITA ASFOUR<\/cite><\/figcaption><\/figure>\n<\/div>\n

Until her death in 2021, Asfour brought the same keen eye and fanciful imagination to her showgirl paintings as she did her ballet series. Though society labeled the former tradition entertainment and the latter art, Asfour recognized that showgirls cultivated a comparable degree of craft, skill, and commitment as ballerinas, all while navigating brazenly voyeuristic and sexist settings. \u201cTheir stride and poise defined the word \u2018dignity,\u2019\u201d she later wrote. As did Asfour.<\/p>\n

This fall, Asfour\u2019s work will be on view\u2014and for sale\u2014 at the\u00a0Reno Tahoe International Art Show<\/a>\u00a0(Sept. 14-17).<\/p>\n

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Source: https:\/\/www.artnews.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"

Rita Asfour\u00a0was not like most artists. How many painters would leave Southern California\u2019s artistic community for Las Vegas\u2014then come out of retirement to paint showgirls, no less? Then again, most artists were not Rita Asfour. The late painter, sculptor, and gallerist blew up the walls separating highbrow and lowbrow, then danced on the rubble. Left,\u00a0Puppet, […]<\/p>\n","protected":false},"author":2,"featured_media":1880,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[5,13,7,4,3],"tags":[],"class_list":{"0":"post-1879","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist","8":"category-auction","9":"category-events","10":"category-gallery","11":"category-latest-news"},"yoast_head":"\n\u201cI Did It My Way\u201d: How Rita Asfour Captured Bodies in Motion - Investable Art Auctioneer<\/title>\n<meta name=\"description\" content=\"Rita Asfour\u00a0was not like most artists. 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