{"id":2140,"date":"2024-05-27T13:54:40","date_gmt":"2024-05-27T05:54:40","guid":{"rendered":"https:\/\/www.atelierauction.com\/globalupdates\/?p=2140"},"modified":"2024-05-27T13:54:40","modified_gmt":"2024-05-27T05:54:40","slug":"jay-lynn-gomezs-tableaux-about-transitioning-show-life-under-construction","status":"publish","type":"post","link":"https:\/\/www.atelierauction.com\/globalupdates\/artist\/jay-lynn-gomezs-tableaux-about-transitioning-show-life-under-construction\/","title":{"rendered":"Jay Lynn Gomez\u2019s Tableaux About Transitioning Show Life Under Construction"},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m     \"><em>A version of this essay originally appeared in\u00a0<\/em><strong><em>Reframed<\/em><\/strong><em>, the<\/em>\u00a0Art in America<em>\u00a0newsletter about art that surprises us and works that get us worked up.\u00a0<\/em><strong><em><a href=\"https:\/\/cloud.email.artnews.com\/artinamerica-signup\/\" target=\"_blank\" rel=\"noreferrer noopener\">Sign up here<\/a><\/em><\/strong><em>\u00a0to receive it every Thursday.<\/em><\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">Who is\u00a0<a id=\"auto-tag_jay-lynn-gomez\" href=\"https:\/\/www.atelierauction.com\/globalupdates\/\" data-tag=\"jay-lynn-gomez\">Jay Lynn Gomez<\/a>? That question animates the artist\u2019s current exhibition at P.P.O.W in New York, and the answer is a bit complicated, ever evolving. Titled \u201cUnder Construction\u201d and on view through June 15, the show poignantly and earnestly depicts Gomez\u2019s gender transition\u2014a process encumbered by the fact that Gomez had already achieved some art-world acclaim using her former name, having exhibited in major group shows like \u201c\u00a1Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now\u201d at the Smithsonian American Art Museum and \u201cDay Jobs\u201d at the Blanton Museum of Art.<\/p>\n<p>In 30 some paintings and mixed-media works, many of them self-portraits, we see Gomez contending with her new life. We see her newly subject to the leering gaze of construction workers, and getting accosted by a white woman for using the women\u2019s bathroom at Fenway Park. Elsewhere, in one of the show\u2019s best works, a 2024 canvas titled\u00a0<em>I am a work in progress<\/em>, we see Gomez as her former male self, painting a vision of a woman of her own making, as she now wants to be seen. Next to her palette and brushes, we see her gender-affirming medications. Behind him a woman, the artist\u2019s mother, dusts off one of Gomez\u2019s earlier works.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">Earlier this year, the artist began painting scenes from her transition directly onto her hormone packaging. The earliest work from this series is titled\u00a0<em>shot day<\/em>\u00a0(all works 2024); it is a tender self-portrait showing the artist injecting her abdomen with hormones. The piece, measuring just over 3 by 6 inches, is painted directly onto the flattened box of Gomez\u2019s\u00a0<em>Estradiol valerate<\/em>, her legal name partially visible. This work joins about a dozen other small drawings of Gomez at various stages in her life, all painted on her hormone packaging. This use of found cardboard recalls an earlier series, begun in 2013, in which Gomez painted Latinx domestic workers\u2014gardeners tending to manicured lawns, pool cleaners fishing for leaves\u2014onto magazine pages displaying beautiful mansions that they keep pristine; Gomez later scaled these drawings up to David Hockney-esque paintings. Her objective then as now is to show those who have been marginalized or rendered invisible.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/2024_Trans-women-of-color_GOMEZ-207.jpg?w=400\" sizes=\"auto, (min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/2024_Trans-women-of-color_GOMEZ-207.jpg 1200w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/2024_Trans-women-of-color_GOMEZ-207.jpg?resize=400,243 400w\" alt=\"A painting showing six trans women of color who appear to float in space in a background of swirling paint that is mostly purple in tone. \" width=\"1024\" height=\"621\" data-lazy-loaded=\"1\" \/><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Jay Lynn Gomez,\u00a0<em>Trans women of color<\/em>, 2024.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo: JSP Art Photography\/Courtesy The Artist And P\u00b7P\u00b7O\u00b7W, New York<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">In \u201cUnder Construction,\u201d she gives her own process of transitioning a rare kind of visibility, carving an ideal image of herself while also grappling with how the world sees her. But she doesn\u2019t stop there: she also honors the enormous contributions that trans women of color have made toward civil rights for queer people. These women have often been, until recently, intentionally erased from history; Gomez pays homage to some in a monumental work titled\u00a0<em>Trans women of color<\/em>\u00a0that includes Sylvia Rivera, Cecilia Gentili, and Erotica Divine.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">But visibility has its downsides. Gomez confronts them in\u00a0<em>Every day I walk outside is a leap of Faith (Walking with Alok)<\/em>, which shows the artist in a black bra, staring in the mirror as she shaves her upper lip. Behind her, a canary flies out of a gold cage, and in one corner Gomez has kissed the canvas with a pair of a bright-red lips. In the foreground is Alok, a gender non-conforming poet and comedian who has been a mentor to Gomez during her transition. The two are surrounded by leering construction workers and signs reading\u00a0<small>ROAD CLOSED<\/small>\u00a0and\u00a0<small>DETOUR<\/small>. There\u2019s tension in this scene: like the overlooked laborers in their high visibility orange, Gomez and Alok appear both hyper-visible, and yet invisible, too.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\"><img loading=\"lazy\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/2024_Every-day-I-walk-outside-is-a-leap-of-Faith-Walking-with-Alok_GOMEZ-209.jpg?w=400\" sizes=\"auto, (min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/2024_Every-day-I-walk-outside-is-a-leap-of-Faith-Walking-with-Alok_GOMEZ-209.jpg 1200w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/2024_Every-day-I-walk-outside-is-a-leap-of-Faith-Walking-with-Alok_GOMEZ-209.jpg?resize=150,150 150w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/05\/2024_Every-day-I-walk-outside-is-a-leap-of-Faith-Walking-with-Alok_GOMEZ-209.jpg?resize=400,399 400w\" alt=\"A painting of a trans woman shaving her upper lip at the mirror. In front walks a non-binary person. They are surrounded by four construction workers and construction signs. \" width=\"1024\" height=\"1021\" data-lazy-loaded=\"1\" \/><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\"><span class=\"lrv-u-font-size-14@desktop\">Jay Lynn Gomez,\u00a0<em>Every day I walk outside is a leap of Faith (Walking<\/em>\u00a0<em>with Alok)<\/em>, 2024.<\/span><cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Photo: JSP Art Photography\/Courtesy The Artist And P\u00b7P\u00b7O\u00b7W, New York<\/cite><\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">That painting is untethered to any real space: instead, the figures float in a purple void. Gomez uses purples often, perhaps referencing the swirling together of the colors of the trans flag (pink, cyan, and white), or even the spectrum of hues in a bruise: a bruise at the site of hormone injection; a bruise from hemophilia, a condition Gomez has; a bruise that refers to the violence that trans women of color often face, whether from lovers, from johns, or even from catcalling construction workers.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m     \">At the back of the exhibition, there is a sculptural intervention. There, Gomez has installed a chain-link fence covered by a green tarp, with diagrams of her facial feminization and breast augmentation surgeries painted onto the surface. Surrounding these diagrams are outlines of butterflies: the ultimate symbol of transformation. A sign on the floor warns: \u201c<a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\"><small>WERK ZONE<\/small><\/a>.\u201d Nearby, Gomez has dedicated a poem to her friend Winter Camilla Rose\u2014also depicted in a leisurely odalisque portrait\u2014about \u201ca journey with no guide \/ with no end.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Source\uff1ahttps:\/\/www.artnews.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A version of this essay originally appeared in\u00a0Reframed, the\u00a0Art in America\u00a0newsletter about art that surprises us and works that get us worked up.\u00a0Sign up here\u00a0to receive it every Thursday. Who is\u00a0Jay Lynn Gomez? That question animates the artist\u2019s current exhibition at P.P.O.W in New York, and the answer is a bit complicated, ever evolving. Titled [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2141,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[5,13,7,4,3],"tags":[],"class_list":{"0":"post-2140","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist","8":"category-auction","9":"category-events","10":"category-gallery","11":"category-latest-news"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jay Lynn Gomez\u2019s Tableaux About Transitioning Show Life Under Construction - Investable Art Auctioneer<\/title>\n<meta name=\"description\" content=\"Who is\u00a0Jay Lynn Gomez? 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