{"id":2187,"date":"2024-07-30T00:16:42","date_gmt":"2024-07-29T16:16:42","guid":{"rendered":"https:\/\/www.atelierauction.com\/globalupdates\/?p=2187"},"modified":"2024-07-30T00:16:42","modified_gmt":"2024-07-29T16:16:42","slug":"nine-must-see-exhibitions-in-tune-with-the-2024-olympics-in-france","status":"publish","type":"post","link":"https:\/\/www.atelierauction.com\/globalupdates\/artist\/nine-must-see-exhibitions-in-tune-with-the-2024-olympics-in-france\/","title":{"rendered":"Nine Must-See Exhibitions in Tune with the 2024 Olympics in France"},"content":{"rendered":"<p class=\"paragraph larva \/\/ a-font-body-m     \">Game on! With the Olympics and Paralympics being held in Paris this summer, French museums have been inspired to present exhibitions dealing broadly with sports in an effort dubbed the Cultural Olympiad. Many have a specific focus: Horses, for instance, are the subject of Versailles\u2019s extensive display of artworks; the festival \u201cLes Rencontres d\u2019Arles\u201d is all about photography; and one can find sports fashion\u2013oriented projects in Paris and Lille. Other projects take a look at the history of the Games. Here we highlight nine must-see shows in tune with the 2024 Olympic (July 26 to August 11) and <a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">Paralympic Games<\/a> (August 28\u2013September 8).<\/p>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical\">\n<div class=\"c-gallery-vertical__slides\">\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234712788\" data-slide-index=\"0\" data-slide-position-display=\"1\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\" style=\"text-align: center;\">Pantheon, Paris<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/26fa718da6e1-Vainqueur-d-une-course-aux-Jeux-paralympiques-de-Seoul-1988-Tirage-argentique-reproduction-1988-C-Collections-du-Musee-National-du-Sport-Nice.jpg?w=448\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 448px, (max-width: 1440px) 448px, (max-width: 2560px) 448px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/26fa718da6e1-Vainqueur-d-une-course-aux-Jeux-paralympiques-de-Seoul-1988-Tirage-argentique-reproduction-1988-C-Collections-du-Musee-National-du-Sport-Nice.jpg?w=179 179w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/26fa718da6e1-Vainqueur-d-une-course-aux-Jeux-paralympiques-de-Seoul-1988-Tirage-argentique-reproduction-1988-C-Collections-du-Musee-National-du-Sport-Nice.jpg?w=358 358w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/26fa718da6e1-Vainqueur-d-une-course-aux-Jeux-paralympiques-de-Seoul-1988-Tirage-argentique-reproduction-1988-C-Collections-du-Musee-National-du-Sport-Nice.jpg?w=448 448w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/26fa718da6e1-Vainqueur-d-une-course-aux-Jeux-paralympiques-de-Seoul-1988-Tirage-argentique-reproduction-1988-C-Collections-du-Musee-National-du-Sport-Nice.jpg?w=448 448w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/26fa718da6e1-Vainqueur-d-une-course-aux-Jeux-paralympiques-de-Seoul-1988-Tirage-argentique-reproduction-1988-C-Collections-du-Musee-National-du-Sport-Nice.jpg?w=448 448w\" alt=\"Winner of a race at the Seoul 1988 Paralympic Games\" width=\"429\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\">Winner of a race at the Seoul 1988 Paralympic Games.<\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">Copyright \u00a9 Collections du Mus\u00e9e national du Sport, Nice.<\/span><\/div>\n<\/figure>\n<div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">This year Paris will host the Paralympic Games for the first time. To mark the occasion, the Centre des Monuments Nationaux will tell the story of competitions that have taken place \u201c<a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">beside<\/a>\u201d (<em>para<\/em>, in ancient Greek) the Olympic Games. \u201cWe wanted to house the exhibition\u2018Paralympic History: From Integration in Sport to Social Inclusion (1948\u20132024)\u2019 here [in the Pantheon] because it is a Republican site, because many women and men who rest within these walls, including Louis Braille, fought for equality,\u201d says Barbara Wolffer, administrator of the Pantheon.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m\">The exhibit combines articles, posters, photographs, and sporting equipment and is divided into four \u201c<a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">moments<\/a>.\u201d In 1948 neurologist Ludwig Guttmann initiated, at the Stoke Mandeville Hospital, a sporting competition among injured World War II veterans called the Stoke Mandeville Games. In 1960 Rome saw the first \u201cpara-Olympic\u201d games with players in wheelchairs (they would later expand to include visually impaired contestants). The year 1989 marked another turning point with the acceptance of deaf athletes in some competitions. And since 2012, slogans like \u201cMeet the Superhumans\u201d have reflected a stronger sense of pride among the contestants. With videos that include sign language, to-be-touched objects, and other accommodations, the exhibit is a model of accessibility.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m\"><em>Through September 29 (Closing at 3:15pm July 26).<\/em><\/p>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"c-gallery-vertical__advert\">\n<div id=\"adm-in-list-1\" class=\"admz \">\n<div class=\"adma boomerang \" data-device=\"Desktop\" data-width=\"300\">\n<div class=\"pmc-adm-boomerang-pub-div ad-text\" data-priority=\"8\">\n<div id=\"gpt-dsk-tab-list-inlist1-uid0\" class=\" adw-300 adh-250\" data-is-adhesion-ad=\"\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234712790\" data-slide-index=\"1\" data-slide-position-display=\"2\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\" style=\"text-align: center;\">Mus\u00e9e Marmottan Monet, Paris<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/2.thomas_eakins_the_biglin_brothers_racing.jpg?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/2.thomas_eakins_the_biglin_brothers_racing.jpg?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/2.thomas_eakins_the_biglin_brothers_racing.jpg?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/2.thomas_eakins_the_biglin_brothers_racing.jpg?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/2.thomas_eakins_the_biglin_brothers_racing.jpg?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/2.thomas_eakins_the_biglin_brothers_racing.jpg?w=1200 1200w\" alt=\"A painting showing two men rowing in a wood boat.\" width=\"868\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\">Thomas Eakins, <em>The Biglin Brothers Racing<\/em>, 1872.<\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9National Gallery of Art, Washington, D.C.<\/span><\/div>\n<\/figure>\n<div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">The Mus\u00e9e Marmottan Monet is offering an exhibition titled \u201cEn Jeu! Artists and Sport\u201d that shows, through the eyes of painters, photographers, engravers, and sculptors, how sports grew more international, modern, and accessible to women between 1870 and 1930. As the exhibit explains, sports first came to France from the United Kingdom as a hobby among elites. Paintings by Harald\u00a0Giersing\u00a0and Marcel\u00a0Gromaire document an increasing interest in football and rugby; pedagogical plasters by neurologist Paul Richer question the effects of extreme exercise on the body. Also here are posters and newspapers announcing games and tournaments when the modern Olympics were launched in 1896, largely due to the efforts of French educator Pierre de Coubertin. The exhibition also traces the movement of women from spectators to contestants. French tennis champion\u00a0Suzanne\u00a0Lenglen dominated the women\u2019s game in the 1920s; some of her medals are on view, in dialogue with a diptych by Maurice Denis featuring two young ladies playing the game.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m\"><em>Through September 1 (Closing at 4pm July 26).<\/em><\/p>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234712791\" data-slide-index=\"2\" data-slide-position-display=\"3\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\" style=\"text-align: center;\">Mus\u00e9e du Louvre, Paris<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/13a_Coupe-a-figures-rouges-maniere-du-peintre-dAntiphon_AGER-musee-du-Louvre-RMN-Grand-PalaisHD.jpg?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/13a_Coupe-a-figures-rouges-maniere-du-peintre-dAntiphon_AGER-musee-du-Louvre-RMN-Grand-PalaisHD.jpg?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/13a_Coupe-a-figures-rouges-maniere-du-peintre-dAntiphon_AGER-musee-du-Louvre-RMN-Grand-PalaisHD.jpg?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/13a_Coupe-a-figures-rouges-maniere-du-peintre-dAntiphon_AGER-musee-du-Louvre-RMN-Grand-PalaisHD.jpg?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/13a_Coupe-a-figures-rouges-maniere-du-peintre-dAntiphon_AGER-musee-du-Louvre-RMN-Grand-PalaisHD.jpg?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/13a_Coupe-a-figures-rouges-maniere-du-peintre-dAntiphon_AGER-musee-du-Louvre-RMN-Grand-PalaisHD.jpg?w=1200 1200w\" alt=\"Peintre d'Antiphon (5e si\u00cbcle av J.-C.) (mani\u00cbre de). Paris, mus\u00c8e du Louvre. G292.\" width=\"799\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\">Athens, <em>Coupe \u00e0 figures rouges, mani\u00e8re du peintre d\u2019Antiphon<\/em> (interior view), ca. 490 BCE.<\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">Photo Christian Larrieu\/\u00a9 RMN-Grand Palais (mus\u00e9e du Louvre)<\/span><\/div>\n<\/figure>\n<div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\" style=\"text-align: left;\">The Louvre\u2019s exhibition, titled \u201cOlympism: Modern Invention, Ancient Legacy,\u201d explores the context in which the Olympics were rebooted by Pierre de Coubertin in 1896, based on sporting competitions that took place in antiquity. However, the focus of the show is not on Coubertin himself but rather on two little-known figures: French philologist Michel Br\u00e9al, who invented the marathon race and designed the first cup meant for the winner of this category, and Swiss painter \u00c9mile Gilli\u00e9ron, the official artist of the 1896 Games. \u201cAn emblematic work here [was used as] the cover of the commemorative album of the Olympic Games, which later served as a poster. It shows a child\u2019s sarcophagus, which was on display when Gilli\u00e9ron came to the Louvre,\u201d says chief curator Violaine Jeammet. Concluding the show is the sculpture\u00a0<em>Finnish Discus Thrower<\/em>\u00a0by Konstantinos Dimitriadis, which won a gold medal in the arts competition during the 1924 Summer Olympics.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m\" style=\"text-align: left;\"><em>Through September 16 (Closed July 26).<\/em><\/p>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"c-gallery-vertical__advert\">\n<div id=\"adm-in-list-x\" class=\"admz \">\n<div class=\"adma boomerang \" data-device=\"Desktop\" data-width=\"300\">\n<div class=\"pmc-adm-boomerang-pub-div ad-text\" data-priority=\"8\">\n<div id=\"gpt-dsk-tab-list-inlistx-uid1\" class=\" adw-300 adh-250\" data-is-adhesion-ad=\"\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234712792\" data-slide-index=\"3\" data-slide-position-display=\"4\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\" style=\"text-align: center;\">Parc de la Villette, Paris<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/ENSA-Versailles-Federation-francaise-dEquitation-1.jpg?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/ENSA-Versailles-Federation-francaise-dEquitation-1.jpg?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/ENSA-Versailles-Federation-francaise-dEquitation-1.jpg?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/ENSA-Versailles-Federation-francaise-dEquitation-1.jpg?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/ENSA-Versailles-Federation-francaise-dEquitation-1.jpg?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/ENSA-Versailles-Federation-francaise-dEquitation-1.jpg?w=1200 1200w\" alt=\"A structure made of hay and wood. \" width=\"862\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\">ENSA Versailles &#8211; F\u00e9d\u00e9ration fran\u00e7aise d&#8217;Equitation<\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9Pauliner Gauer \/ Sipa Press \u2013 Minist\u00e8re de la Culture<\/span><\/div>\n<\/figure>\n<div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">Out of the nine million euros invested by the French Ministry of Culture in the Cultural Olympiad, one million was invested in the \u201c<a href=\"https:\/\/www.atelierauction.com\/globalupdates\/\">Archi-Folies<\/a>.\u201d This outdoor exhibition consists of 20 pavilions designed and built by students from as many architecture schools. Those temporary constructions dialogue with the 26 red \u201cfollies\u201d\u2014buildings, bridges, and walkways designed by Bernard Tschumi and installed in the Parc de la Villette in the 1980s. Each pavilion represents a different sports federation. The project contributed by ENSA Paris-Malaquais, for instance, the curves of which evoke the shape of a foil, is devoted to the French Fencing Federation. Once the Olympics and Paralympics are over, those pavilions will be dismantled and relocated, ideally on the sites of the federations they salute.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m\"><em>Through September 3 (Closed until August 28; open August 28\u2013September 3).<\/em><\/p>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234712793\" data-slide-index=\"4\" data-slide-position-display=\"5\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\" style=\"text-align: center;\">Palais Galliera, Paris<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/20.-chaussures-de-plage-Ferry-vers-1865.jpg?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/20.-chaussures-de-plage-Ferry-vers-1865.jpg?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/20.-chaussures-de-plage-Ferry-vers-1865.jpg?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/20.-chaussures-de-plage-Ferry-vers-1865.jpg?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/20.-chaussures-de-plage-Ferry-vers-1865.jpg?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/20.-chaussures-de-plage-Ferry-vers-1865.jpg?w=1200 1200w\" alt=\"J. Ferry, Paire de chaussures (Nom d'usage), 1865. Tige en toile de coton gris bord\u00c8 de laine rouge, semelle de propret\u00c8 en li\u00cbge, semelle en cuir, semelle d'usure en cuivre avec renforts en cuir, lacets en laine. Palais Galliera, mus\u00c8e de la Mode de la Ville de Paris.\" width=\"767\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\">Jeandron-Ferry, <em>Pair of beach shoes<\/em>, ca. 1870.<\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9J. Ferry Cordonnier\/Courtesy Palais Galliera, Mus\u00e9e de la Mode de la Ville de Paris<\/span><\/div>\n<\/figure>\n<div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">The Palais Galliera, one of the 14 institutions of the City of Paris museums network, presents\u00a0\u201cLa Mode en mouvement #2\u201d (Fashion in Motion #2). This exhibit is the second in a trilogy exploring the connections between the body, fashion, and movement, including sports. With 200 works,\u00a0<a>mainly clothes<\/a>\u00a0from the 18th century to today, the exhibit shows how tennis, golf, and horseback riding outfits, among others, have become more specialized over the years. The seaside section is an opportunity to dive into the incredible collection of swimsuits and beach accessories that the museum holds, and also to understand how our perceptions of tanning, beauty, and nudity have changed over the centuries.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m\"><em>Through January 5, 2025 (Closed July 26).<\/em><\/p>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"c-gallery-vertical__advert\">\n<div id=\"adm-in-list-x-1\" class=\"admz \">\n<div class=\"adma boomerang \" data-device=\"Desktop\" data-width=\"300\">\n<div class=\"pmc-adm-boomerang-pub-div ad-text\" data-priority=\"8\">\n<div id=\"gpt-dsk-tab-list-inlistx-uid2\" class=\" adw-300 adh-250\" data-is-adhesion-ad=\"\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234712794\" data-slide-index=\"5\" data-slide-position-display=\"6\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\" style=\"text-align: center;\">Palace of Versailles<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/Christophe-Fouin_001.jpg?w=768\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 983px, (max-width: 2560px) 983px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/Christophe-Fouin_001.jpg?w=307 307w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/Christophe-Fouin_001.jpg?w=614 614w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/Christophe-Fouin_001.jpg?w=768 768w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/Christophe-Fouin_001.jpg?w=983 983w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/Christophe-Fouin_001.jpg?w=1200 1200w\" alt=\"An equestrian portrait installed in the Hall of Mirrors of Versailles. \" width=\"736\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\">Justus Sustermans, <em>Equestrian portrait of Leopold de Medici<\/em>, 1624\u201325, on loan from National Heritage Institute, Czech Republic, installed in the Hall of Mirrors, Palace of Versailles.<\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9National Heritage Institute, Czech Republic\/Courtesy Palace de Versailles<\/span><\/div>\n<\/figure>\n<div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">The Palace of Versailles is going all-out with an exhibition whose subject is horses and equestrianism, showcasing\u00a0<a>no fewer than<\/a>\u00a0300 artworks spread across the most emblematic galleries of King Louis XIV\u2019s home. The Galerie de Pierre Haute has been turned into a \u201cpantheon of equids\u201d with representations of royal mounts. The Salle de Crim\u00e9e considers two figures: the war horse, a four-legged hero, and the entertainment horse, embodying chivalry. <a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">The Galerie des Glaces<\/a> is home to a masterpiece recently rediscovered and never shown in France before: a 17th-century portrait by Justus Sustermans featuring seven-year-old Leopoldo de\u2019 Medici on a graceful white mare. Did you know that artists, including Leonardo da Vinci and his master Andrea del Verrocchio, started studying horse anatomy before scientists, and that hippiatry was the forerunner of veterinarian art? In the Appartement de la Dauphine, we see some works that capture the beauty or the soul of horses, and others depicting hybrid creatures including unicorns and centaurs. The end of the exhibit deals with the replacement of horses by cars and trains.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m\"><em>Through November 3 (From July 27\u2013August 11 and from September 3\u20137, the Palace of Versailles park will host the Olympic equestrian events, the five modern pentathlon events, and the para-equestrian events).<\/em><\/p>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234712796\" data-slide-index=\"6\" data-slide-position-display=\"7\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\" style=\"text-align: center;\">Les Rencontres d\u2019Arles<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/arles.jpg?w=796\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1018px, (max-width: 2560px) 1018px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/arles.jpg?w=318 318w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/arles.jpg?w=636 636w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/arles.jpg?w=796 796w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/arles.jpg?w=1018 1018w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/arles.jpg?w=1200 1200w\" alt=\"A somewhat blurry black-and-white photograph showing three runners who are distorted because of their speed. \" width=\"763\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\">Melbourne Olympic Games 1956, Athletics, 110 m Hurdles \u2013 Joel Shankle (USA) 3rd, Jack Davis (USA) 2nd, Lee Calhoun (USA) 1st, 2023.<\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">Courtesy International Olympic Committee (IOC)<\/span><\/div>\n<\/figure>\n<div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">The Olympics resonate all the way down to \u201cLes Rencontres d\u2019Arles,\u201d the annual photography festival in the south of France. The Mus\u00e9e D\u00e9partemental presents \u201cLe Sport \u00e0 l\u2019\u00e9preuve\u201d (Sport to the Test), highlighting the codependency between sport and photography. Since the late 19th century, when the modern Olympic Games were launched, both disciplines have, in many respects, evolved together. Images have always been the best way to promote matches and competitions and to capture memorable performances. H\u00e9l\u00e8ne Tobler\u2019s zoom on a hockey player at Beijing\u2019s 2008 Summer Olympics conveys a sense of speed and agility, while Lothar Jeck\u2019s\u00a0\u201cSaut de la barre fixe\u201d\u00a0(1936) makes high jump look effortless. The exhibition draws from the permanent collections of\u00a0the Mus\u00e9e Olympique and the Mus\u00e9e Photo Elys\u00e9e in Lausanne, Switzerland.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m\"><em>Through September 29.<\/em><\/p>\n<\/div>\n<\/div>\n<\/article>\n<div class=\"c-gallery-vertical__advert\">\n<div id=\"adm-in-list-x-2\" class=\"admz \">\n<div class=\"adma boomerang \" data-device=\"Desktop\" data-width=\"300\">\n<div class=\"pmc-adm-boomerang-pub-div ad-text\" data-priority=\"8\">\n<div id=\"gpt-dsk-tab-list-inlistx-uid3\" class=\" adw-300 adh-250\" data-is-adhesion-ad=\"\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234712797\" data-slide-index=\"7\" data-slide-position-display=\"8\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\" style=\"text-align: center;\">Various Venues, Marseille<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/D858812-min-Copie.jpg?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/D858812-min-Copie.jpg?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/D858812-min-Copie.jpg?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/D858812-min-Copie.jpg?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/D858812-min-Copie.jpg?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/D858812-min-Copie.jpg?w=1200 1200w\" alt=\"Sculptures that are made of soccer goal posts and basketball hoops meant to resemble grazing animals. \" width=\"865\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\">Jacques Julien, <em>Les Herbivores<\/em>, 1997, installation view, as part of &#8220;Des exploits, des chefs-d\u2019\u0153uvre \u2013 L\u2019Heure de gloire,&#8221; 2024, Frac Sud, Marseille, France.<\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">\u00a9Marc Domage<\/span><\/div>\n<\/figure>\n<div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">The summer would not be the same without a trip to funky Marseille. Art critic and curator Jean-Marc Huitorel was invited to put together a triple exhibition, titled \u201cDes exploits, des chefs-d\u2019\u0153uvre\u201d (Exploits and Masterpieces), with 350 works by 100 artists spread across three city sites. FRAC Sud\u2019s \u201cL\u2019Heure de gloire\u201d (The Hour of Glory) includes work by 12 students from Aix-en-Provence\u2019s Art School, while \u201cTroph\u00e9es et reliques\u201d (Trophies and Relics) at the Museum of European and Mediterranean Civilizations centers on the idea that sports are part of a system of beliefs and that athletes may be worshiped as artists or gods. And the Museum of Contemporary Art\u2019s \u201cTableaux d\u2019une collection\u201d (Paintings of a Collection) interrogates the connection between art and sport through a selection of paintings, photographs, and drawings.<\/p>\n<p class=\"paragraph larva \/\/ a-font-body-m\"><em>Through September 8.<\/em><\/p>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<div class=\"c-gallery-vertical__slide-wrapper\" data-slide-id=\"1234712795\" data-slide-index=\"8\" data-slide-position-display=\"9\">\n<article class=\"c-gallery-vertical-featured-image\">\n<div class=\"c-gallery-vertical-featured-image__header\">\n<div class=\"c-gallery-vertical-details\">\n<h2 class=\"c-gallery-vertical-featured-image__title\" style=\"text-align: center;\">Tripostal, Lille<\/h2>\n<\/div>\n<\/div>\n<figure class=\"c-gallery-vertical-featured-image__figure c-gallery-slide--loaded c-gallery-vertical-featured-image__figure--loaded\" role=\"presentation\"><img loading=\"lazy\" decoding=\"async\" class=\"c-gallery-vertical-featured-image__image u-gallery-react-placeholder-shimmer aligncenter\" src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/maxime-dufour-photographies-160524-69.jpg?w=800\" sizes=\"auto, (max-width: 414px) 414px, (max-width: 1024px) 800px, (max-width: 1440px) 1024px, (max-width: 2560px) 1024px\" srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/maxime-dufour-photographies-160524-69.jpg?w=320 320w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/maxime-dufour-photographies-160524-69.jpg?w=640 640w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/maxime-dufour-photographies-160524-69.jpg?w=800 800w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/maxime-dufour-photographies-160524-69.jpg?w=1024 1024w, https:\/\/www.artnews.com\/wp-content\/uploads\/2024\/07\/maxime-dufour-photographies-160524-69.jpg?w=1200 1200w\" alt=\"View of three mannequins wearing gold-themed clothing in front of a photo of a golf course. \" width=\"862\" height=\"575\" \/><\/p>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\">Installation view of &#8220;Textimoov!,&#8221; 2024, at Tripostal.<\/div>\n<div class=\"c-gallery-vertical-featured-image__share-icons\" style=\"text-align: center;\"><span class=\"c-gallery-vertical-slide__photo-credit-text\">Photo<\/span><span class=\"c-gallery-vertical-slide__colon\">\u00a0:\u00a0<\/span><span class=\"c-gallery-vertical-slide__photo-credit\">Photo Maxime Dufour<\/span><\/div>\n<\/figure>\n<div>\n<div class=\"c-gallery-vertical-featured-image__description\">\n<p class=\"paragraph larva \/\/ a-font-body-m\">Upon entering the Tripostal, an art venue next to the Lille-Flandres station, visitors can grasp how ambitious the \u201cTextimoov!\u201d exhibition is. It is the sixth edition of the \u201c<a href=\"https:\/\/www.facebook.com\/AtelierAuctionsg\">Futurotextiles<\/a>\u201d project launched in 2006 as a tribute to innovative textile designers. The display, occupying a 64,000-square-foot space, showcases the latest trends in the textile industry as it relates to sport and movement, with a special focus on French icons (Thierry Mugler, Marine Serre, Pierre Cardin, etc.) and younger talents including Marianna Ladreyt, Xavier Brisoux and Tom van der Borght. Highlights include St\u00e9phane Ashpool\u2019s designs for this year\u2019s French Olympic team uniforms and the introduction of sportswear in haute couture collections. Visitors also get to travel to the moon and Mars through designs by Brisoux, who specializes in knitwear. Because the textile industry is the third most polluting industrial sector in the world, a section has been devoted to recycling and upcycling to reduce waste. \u201cClothing, health, transport, defense, space .\u00a0.\u00a0.\u00a0. Textiles are everywhere in our daily lives, pushing back the boundaries of what\u2019s possible,\u201d says curator Caroline David.<\/p>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Source\uff1ahttps:\/\/www.artnews.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Game on! With the Olympics and Paralympics being held in Paris this summer, French museums have been inspired to present exhibitions dealing broadly with sports in an effort dubbed the Cultural Olympiad. Many have a specific focus: Horses, for instance, are the subject of Versailles\u2019s extensive display of artworks; the festival \u201cLes Rencontres d\u2019Arles\u201d is [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2188,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[5,13,7,4,3],"tags":[],"class_list":{"0":"post-2187","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist","8":"category-auction","9":"category-events","10":"category-gallery","11":"category-latest-news"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Nine Must-See Exhibitions in Tune with the 2024 Olympics in France - Investable Art Auctioneer<\/title>\n<meta name=\"description\" content=\"Game on! 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With the Olympics and Paralympics being held in Paris this summer, French museums have been inspired to present exhibitions dealing broadly with sports in an effort dubbed the Cultural Olympiad.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.atelierauction.com\/globalupdates\/artist\/nine-must-see-exhibitions-in-tune-with-the-2024-olympics-in-france\/\" \/>\n<meta property=\"og:site_name\" content=\"Investable Art Auctioneer\" \/>\n<meta property=\"article:published_time\" content=\"2024-07-29T16:16:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.atelierauction.com\/globalupdates\/wp-content\/uploads\/2024\/07\/Nine-Must-See-Exhibitions-in-Tune-with-the-2024-Olympics-in-France_-www.artnews.com_.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"760\" \/>\n\t<meta property=\"og:image:height\" content=\"571\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Chloe Nicholls\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Chloe Nicholls\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.atelierauction.com\/globalupdates\/artist\/nine-must-see-exhibitions-in-tune-with-the-2024-olympics-in-france\/\",\"url\":\"https:\/\/www.atelierauction.com\/globalupdates\/artist\/nine-must-see-exhibitions-in-tune-with-the-2024-olympics-in-france\/\",\"name\":\"Nine Must-See Exhibitions in Tune with the 2024 Olympics in France - Investable Art Auctioneer\",\"isPartOf\":{\"@id\":\"https:\/\/www.atelierauction.com\/globalupdates\/#website\"},\"datePublished\":\"2024-07-29T16:16:42+00:00\",\"dateModified\":\"2024-07-29T16:16:42+00:00\",\"author\":{\"@id\":\"https:\/\/www.atelierauction.com\/globalupdates\/#\/schema\/person\/8970f67f73afbf7d021dbf09ccb32744\"},\"description\":\"Game on! 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