{"id":901,"date":"2021-06-23T08:03:11","date_gmt":"2021-06-23T00:03:11","guid":{"rendered":"https:\/\/www.atelierauction.com\/globalupdates\/?p=901"},"modified":"2021-06-22T10:08:26","modified_gmt":"2021-06-22T02:08:26","slug":"how-artist-run-spaces-and-pandemic-era-collaborations-are-driving-philadelphias-art-scene-forward","status":"publish","type":"post","link":"https:\/\/www.atelierauction.com\/globalupdates\/artist\/how-artist-run-spaces-and-pandemic-era-collaborations-are-driving-philadelphias-art-scene-forward\/","title":{"rendered":"How Artist-Run Spaces and Pandemic-Era Collaborations Are Driving Philadelphia\u2019s Art Scene Forward"},"content":{"rendered":"

Long haunted by its reputation as \u201cthe sixth borough of New York\u201d (thanks to actually sustainable living conditions and affordable rents),\u00a0Philadelphia<\/a>\u00a0has come into its own of late in terms of historic art institutions and, increasingly, a unique kind of upstart energy. Artists are experimenting with their own gallery-like spaces, new museums are being built, and the pandemic has further fostered a spirit of collaboration that is driving the city\u2019s art scene forward.<\/span><\/p>\n

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At the Philadelphia Museum of Art, Frank Gehry\u2019s renovation includes new staircases for the museum\u2019s Lenfest Hall.<\/span>PHOTO STEVE HALL\/\u00a9HALL + MERRICK PHOTOGRAPHERS, 2021\/COURTESY PHILADELPHIA MUSEUM<\/cite><\/figcaption><\/figure>\n<\/div>\n

Updating a Classic<\/b><\/span><\/h3>\n

After two decades of planning and four years of construction, Frank Gehry\u2019s comprehensive facelift of the interior of the 93-year-old\u00a0Philadelphia Museum of Art<\/b>\u00a0finally reached completion and, as of a reopening in May, now shows off nearly 90,000 square feet of reimagined and newly created space. The project is nothing short of transformational, bringing to light parts of the building that have not been seen in ages: a 640-foot-long corridor known as the Vaulted Walkway, for example, has not been open to the public for nearly 50 years. Most important, the rethinking created 20,000 more square feet of exhibition space.<\/span><\/p>\n

The museum is using its reopening to throw a spotlight on local talent. In one portion of the new galleries, curator\u00a0Erica Battle<\/a><\/b>\u00a0has\u00a0<\/span>put together a show of work by 25 Philadelphia artists, including\u00a0Alex Da Corte<\/b>\u00a0and\u00a0Odili Donald Odita<\/b>, who created a huge new mural for the museum. \u201cIt\u2019s been a really fascinating moment to take the pulse of the city and see what people are creating,\u201d Battle said. \u201cSo much is happening.\u201d Five years ago, she said, choices for openings and events were slim\u2014until the city changed and \u201csuddenly there was a multiplicity of perspectives and activities.\u201d<\/p>\n

Combining a focus on local energy with showings of the institution\u2019s world-class collection can elevate the Philadelphia Museum\u2019s status as a destination and a hometown hallmark too. \u201cThe relationship between Philadelphia-based artists and the museum is something we really care about,\u201d Battle said. \u201cWe see the show as a continuation of that relationship.\u201d\u00a0Timothy Rub<\/b>, Philadelphia Museum director, concurred: \u201cIt\u2019s important to say we recognize that Philadelphia is just bursting with creativity today.\u201d<\/p>\n

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Nichole Canuso\u2019s 2017 performance\u00a0The Garden of Forking Paths<\/em>\u00a0is featured in the exhibition \u201cNew Grit: Art & Philly Now\u201d at the Philadelphia Museum of Art.<\/span>PHOTO KATIE RAINES\/COURTESY THE ARTIST<\/cite><\/figcaption><\/figure>\n<\/div>\n

A Spirit of Experimentation\u2014and Nimbleness<\/b><\/span><\/h3>\n

While reliable standbys like the 50-year-old\u00a0Locks Gallery<\/b>\u00a0show heavyweight artists like Lynda Benglis, Jennifer Bartlett, and Pat Steir, Philadelphia today is defined more by artist-run spaces than by New York\u2013style commercial galleries. One of the most intriguing experiments these days is\u00a0Conceptual Fade<\/b>, a tiny space with big ambitions. Just 135 square feet in size (maximum occupancy: five people), the space is the brainchild of conceptual artist\u00a0Tiona Nekkia McClodden<\/a><\/b>, who two years ago won the Whitney Museum\u2019s coveted Bucksbaum Award for her work in the institution\u2019s high-profile biennial. McClodden has said her inspiration came from the Pyramid Club, an all-Black-led private social club founded in North Philadelphia in the 1930s that held an annual art exhibition; she opened her space in February with a show of work by jazz bassist Jymie Merritt, who died last year at 93. She saw a mix of visitors: \u201cmusicians who knew Jymie, folks who are aware of my work, and art world folks\u2014many from New York, surprisingly, who have taken trips to see the space.\u201d<\/span><\/p>\n

Conceived as a three-year experiment, Conceptual Fade will continue to present exhibitions centering work by Black artists across forms and media, McClodden said, as it expands its library and develops the structure for a residency program for local and regional writers and curators. \u201cThe goal,\u201d she said, \u201cis to have [it] be a place that allows for study most of all.\u201d<\/span><\/p>\n

Experimental spaces aren\u2019t the province of artists only.\u00a0Philadelphia Contemporary<\/a><\/b>, a roving project founded in 2017 by former Aldrich Contemporary Museum director\u00a0Harry Philbrick<\/b>, had made plans two years ago for a brand-new architect-designed building on the edge of the Drexel University campus. But the plan changed to repurpose an existing Philadelphia structure. (When\u00a0ARTnews\u00a0<\/i>went to press, Philbrick was in contract negotiations for a location not yet announced.) The reasoning behind the move, he said, wasn\u2019t financial, or at least not primarily. He put it down to matters of accessibility and sustainability. Adaptive reuse, Philbrick said, would allow the Philadelphia Contemporary to be energy-neutral. And to be located somewhere other than a university campus would decrease the intimidation factor and allow the institution to engage a wider public. \u201cThe evolution of thought was about wanting to be as accessible as possible, on the one hand, and on the other, to be responsible citizens.\u201d<\/span><\/p>\n

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For Philadelphia Contemporary\u2019s first podcast,\u00a0Love Jawns: A Mixtape (LJAM)<\/em>, three Philadelphia poets shared a poem. Shown here, a still from the series trailer.<\/span>COURTESY PHILADELPHIA CONTEMPORARY<\/cite><\/figcaption><\/figure>\n<\/div>\n

Collaboration and Cooperation<\/span><\/h3>\n

Mutual support over the past year has helped Philadelphia\u2019s smaller and specialized institutions get through the pandemic while also building a stronger and more inclusive arts community. When lockdowns began in 2020, the directors of six institutions\u2014the\u00a0<\/span>Fabric Workshop and Museum<\/b>,\u00a0Taller Puertorrique\u00f1o<\/b>,\u00a0Woodmere Art Museum<\/b>,\u00a0Philadelphia Contemporary<\/b>,\u00a0<\/span>the<\/span>\u00a0African American Museum<\/b>\u00a0in Philadelphia<\/b>,<\/span>\u00a0and the<\/span>\u00a0Asian Arts Initiative<\/b><\/span>\u2014began holding weekly Zoom meetings. \u201cWhat links us is that we are all midsize, and all focus, to one degree or another, on working with living artists,\u201d said Harry Philbrick, Philadelphia Contemporary director. \u201cBeyond that, we\u2019re radically different organizations.\u201d<\/span><\/p>\n

Initially focused on pressing financial issues, the talks led in many different directions. One long-term goal, Philbrick said, is for the organizations \u201cto expose each other to each other\u2019s audiences, to really try to get those different communities.\u201d The talks also led to the institutions now working together on a fellowship focused on diversity, and a grant program. \u201cTwo years ago, if you [had] brought all these organizations together and said, \u2018Let\u2019s share our audiences,\u2019 there [might have been] be a kind of defensiveness,\u201d Philbrick said. These days, instead, \u201ceverybody is much more open to the idea of collaboration.\u201d<\/span><\/p>\n

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The Barnes Foundation.<\/span>AP PHOTO\/MATT ROURKE<\/cite><\/figcaption><\/figure>\n<\/div>\n

Rocky Road<\/b><\/span><\/p>\n

The Philadelphia Museum\u2019s expansion isn\u2019t the only exciting news for Benjamin Franklin Parkway, the boulevard that is home to the city\u2019s museum district (and famous as the site of Rocky\u2019s run in the 1976 movie for which Philly is still known). Across the Parkway from the\u00a0Barnes Foundation<\/b>\u00a0and the\u00a0Rodin Museum<\/b><\/a>\u00a0will soon be a Herzog & de Meuron\u2013designed museum devoted to the work of Philadelphia-born artist\u00a0Alexander Calder<\/b>. Calder\u2019s grandson Sandy Rower, who runs the New York\u2013based Calder Foundation, has said it will not be a typical museum. \u201cThis will involve a different way to engage art than what is usual with a museum,\u201d he told the\u00a0Philadelphia Inquirer<\/em>. (Delayed by the pandemic, design plans are currently in development.) In the meantime, the city has said it is working on long-term plans to redesign the Parkway to make it mor<\/span>e hospitable to cyclists and pedestrians.<\/p>\n

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Source\uff1ahttps:\/\/www.artnews.com\/<\/p>\n

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Long haunted by its reputation as \u201cthe sixth borough of New York\u201d (thanks to actually sustainable living conditions and affordable rents),\u00a0Philadelphia\u00a0has come into its own of late in terms of historic art institutions and, increasingly, a unique kind of upstart energy. Artists are experimenting with their own gallery-like spaces, new museums are being built, and […]<\/p>\n","protected":false},"author":2,"featured_media":903,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[5,13,7,4,3],"tags":[],"class_list":{"0":"post-901","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist","8":"category-auction","9":"category-events","10":"category-gallery","11":"category-latest-news"},"yoast_head":"\nHow Artist-Run Spaces and Pandemic-Era Collaborations Are Driving Philadelphia\u2019s Art Scene Forward - Investable Art Auctioneer<\/title>\n<meta name=\"description\" content=\"Long haunted by its reputation as \u201cthe sixth borough of New York\u201d (thanks to actually sustainable living conditions and affordable rents),\u00a0Philadelphia\u00a0has come into its own of late in terms of historic art institutions and, increasingly, a unique kind of upstart energy.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.atelierauction.com\/globalupdates\/artist\/how-artist-run-spaces-and-pandemic-era-collaborations-are-driving-philadelphias-art-scene-forward\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How Artist-Run Spaces and Pandemic-Era Collaborations Are Driving Philadelphia\u2019s Art Scene Forward - 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