{"id":976,"date":"2021-07-05T10:20:03","date_gmt":"2021-07-05T02:20:03","guid":{"rendered":"https:\/\/www.atelierauction.com\/globalupdates\/?p=976"},"modified":"2021-07-05T10:20:03","modified_gmt":"2021-07-05T02:20:03","slug":"how-bogotas-arts-community-is-building-institutions-to-support-artists","status":"publish","type":"post","link":"https:\/\/www.atelierauction.com\/globalupdates\/artist\/how-bogotas-arts-community-is-building-institutions-to-support-artists\/","title":{"rendered":"How Bogot\u00e1\u2019s Arts Community Is Building Institutions to Support Artists"},"content":{"rendered":"

For a survey of what lies ahead as the art world looks forward to the future, <\/em>ARTnews\u00a0devoted part of the June-July 2021 issue of the magazine to 10 cities to watch: Philadelphia, Atlanta, Vancouver, Guadalajara, Bogot\u00e1, Oslo, Tallinn, Casablanca, Abu Dhabi, and Taipei. Stay tuned as each city joins related reports from Seoul and Paris\u00a0online<\/a>\u00a0in the weeks to come.<\/em><\/span><\/p>\n

A city whose people are known for quickly and continually adapting to changing circumstances, Bogot\u00e1 has long been home to major artists, including Beatriz Gonz\u00e1lez and Doris Salcedo, who have poignantly reflected on the many hardships and atrocities that have marked Colombia\u2019s history. In the past, the artist community operated mainly by way of underground platforms, from artist-run spaces to bars to parties and other events that bring the city\u2019s scene together. But in recent years, that same community has, with a certain sense of urgency, been creating institutions that will support the work of artists today and in the future.<\/span><\/p>\n

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Instituto de Visi\u00f3n, with its pastel green exterior, has been a pioneering gallery in Bogot\u00e1\u2019s San Felipe neighborhood.<\/span>COURTESY INSTITUTO DE VISI\u00d3N<\/cite><\/figcaption><\/figure>\n<\/div>\n

Emerging Gallery Neighborhood: San Felipe<\/span><\/h3>\n

Bogot\u00e1\u2019s art scene is fairly widespread across town, but\u00a0<\/span>San Felipe<\/b><\/span>\u00a0has emerged over the past five or so years as a dedicated gallery district energized by a sense of flux that invites improvisation and experimentation, and grounded by a mix of established operations\u2014like\u00a0<\/span>SKETCH, 12:00 (Doce Cero Cero)<\/b><\/span>, and\u00a0<\/span>Galer\u00eda SGR<\/b><\/span><\/a>\u2014and dynamic spaces that turn over quickly. Since the start of the pandemic, several neighborhood galleries have banded together with others across both city and country to form the\u00a0<\/span>Asociaci\u00f3n de Galer\u00edas de Arte de Colombia<\/b><\/span><\/a>\u00a0to advocate for their needs, including lowering taxes on art imports, exports, and sales.<\/span><\/p>\n

One of the pioneering galleries in San Felipe is\u00a0<\/span>Instituto de Visi\u00f3n<\/a>,<\/b><\/span>\u00a0which was born in the spirit of resilience that is crucial to Colombia. \u201cWe\u2019re a city and a country so used to crisis that we adapt very fast,\u201d said Beatriz L\u00f3pez, who cofounded the gallery with Karen Abreu and Omayra Alvarado. They took the gallery name from a photographic series by Nicol\u00e1s Consuegra that documents the fading names of now-defunct businesses\u2014with one image showing the ghostly words \u201cInstituto de Visi\u00f3n\u201d on an old stone facade.<\/span><\/p>\n

When they opened in 2014, L\u00f3pez and her partners sited the gallery in a house\u2014as opposed to a traditional white cube\u2014in a working-class neighborhood with woodworking and auto shops nearby. Other galleries followed, eventually numbering into the dozens. But the collective idea has been to maintain an organic feel. \u201cWe\u2019ve been working hard not to overwhelm the community and to work with the community,\u201d L\u00f3pez said. Accordingly, one strategy has been to replace nighttime openings offering alcohol with Saturday morning events featuring a large tropical fruit cart where anyone from the neighborhood can indulge.<\/span><\/p>\n

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Installation view of Instituto de Visi\u00f3n\u2019s 2021 exhibition \u201cEl Origen del mundo.\u201d<\/span>COURTESY INSTITUTO DE VISI\u00d3N<\/cite><\/figcaption><\/figure>\n<\/div>\n

Instituto de Visi\u00f3n is also devoted to diversity. \u201cPart of our work is to embrace voices\u2014women, Indigenous, queer\u2014that have been turned down by the official history of art,\u201d L\u00f3pez said. \u201cWe try to create relations and connections beyond the rhythm that the market is creating. It was important to open spaces that didn\u2019t try to join forces of assumed elegance or assumed aesthetics of good and bad taste.\u201d<\/span><\/p>\n

The gallery\u2019s \u201cVisionaries\u201d program focuses on Latin American artists who have been overlooked, such as Miguel \u00c1ngel C\u00e1rdenas\u2014a pioneering performance and video artist who was born and educated in Colombia but left in the 1960s over difficulties in creating work marked\u00a0<\/span>by a queer sensibility and an interest in sexuality in an extremely Catholic country. After Instituto de Visi\u00f3n exhibited him in 2015, institutions including Tate and MoMA began acquiring his work.<\/span><\/p>\n

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Casas Riegner<\/a>\u00a0gallery has exhibited Luis Rold\u00e1n\u2019s\u00a0Cuenca<\/em>\u00a0(2018) at\u00a0ArtBo<\/a>.<\/span>COURTESY ARTBO<\/cite><\/figcaption><\/figure>\n<\/div>\n

Established Local Art Fair: ArtBo<\/span><\/h3>\n

Unlike art fairs run as private businesses that look to assemble galleries from around the world, ArtBo is run by Bogot\u00e1\u2019s nonprofit Chamber of Commerce as a way to help promote commercial activity in the city. \u201cFrom its inception,\u00a0ArtBo<\/a>\u00a0<\/b>was constructed [to serve and stimulate] the whole community,\u201d said Mar\u00eda Paz Gaviria, ArtBo director.<\/span><\/p>\n

Since its inauguration in 2004, ArtBo has helped professionalize the city\u2019s art scene, and grown a local collector base practically from scratch, in Latin America and internationally. Typical editions of the midsize fair attract some 70 exhibitors from more than 15 countries in Latin America and beyond, focusing in particular on emerging and mid-tier galleries. An Arte Camera section in recent editions has been devoted to Colombian artists without commercial representation, who apply via an open-call system. (After the past three editions, the government agency Idartes collaborated with ArtBo to award one of the artists featured in Arte Camera a residency space to develop a new project.)<\/span><\/p>\n

In concert with ArtBo, a citywide initiative called\u00a0ArtBo Fin de Semana<\/b><\/a>\u00a0(Spanish for \u201cweekend\u201d) offers a range of events, exhibitions, and activities that ties the fair to area galleries, museums, and other institutions. Gaviria said such partnerships \u201chelp unify the city,\u201d adding that ArtBo\u2019s ultimate aim is to work with curators to mount exhibitions of emerging artists.<\/span><\/p>\n

Beatriz Esguerra<\/a>,\u00a0<\/b>who founded her namesake gallery in 2000, said that ArtBo \u201cbrought Colombian art to the world to view\u2014it\u2019s done its job.\u201d Beatriz L\u00f3pez of\u00a0Instituto de Visi\u00f3n<\/b>\u00a0praised the way the fair \u201chelps galleries construct a portfolio and build a community of collectors.\u201d Catalina Casas, who opened her gallery,\u00a0Casas Riegner,<\/b>\u00a0in Miami in 2001 and relocated it to Bogot\u00e1 in 2005, said, \u201cit\u2019s been a great support to the local art scene, to be looked at from an international standpoint.\u201d<\/span><\/p>\n

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The exterior of Casas Riegner.<\/span>PHOTO SARA VERA\/COURTESY CASAS RIEGNER<\/cite><\/figcaption><\/figure>\n<\/div>\n

Institutional Support<\/span><\/h3>\n

Bogot\u00e1 is home to nine art schools that churn out graduates in droves: \u201cAlmost 300 people becoming professional artists every six months\u2014that\u2019s a very active field,\u201d said Catalina Rodriguez, director of\u00a0Instituto Distrital de las Artes (Idartes)<\/b><\/a>, a government agency within Bogot\u00e1\u2019s mayoral office that helps support young artists as they find their way toward building a career. Rodriguez, who has headed Idartes through three administrations, developed a set of grant programs with a goal toward \u201ccreating conditions so artists and organizations can develop\u201d in areas as wide-ranging as mounting exhibitions and funding research. Idartes also manages an exhibition space called\u00a0Galer\u00eda Santa Fe<\/b>\u00a0in the historic downtown La Candelaria neighborhood, with a program that provides funding for artist projects and an annual Luis Caballero Award that gives a mid-career artist around $12,000 and an exhibition.<\/span><\/p>\n

Another important supporter of the arts is the\u00a0Banco de la Rep\u00fablica<\/b><\/a>, Colombia\u2019s central bank, which has been a major collector and exhibition venue of Colombian art for the past 50 years. The bank\u2019s involvement with the arts dates back to 1957, when it hosted a modern art salon, and led to a collection of more than 6,000 works. The bank\u2019s museums mount shows that delve into the collection\u2019s holdings, including recent acquisitions, and organize biennial retrospectives of major Colombian artists that exhibit nationally and travel to venues like MALBA in Buenos Aires and Jeu de Paume in Paris.<\/span><\/p>\n

Maria Wills Londo\u00f1o, director of arts museums of Banco de la Rep\u00fablica, said, \u201cBanco de la Rep\u00fablica, being a public institution, has considered culture a central pillar of philanthropy and of the conservation of cultural heritage. Banco believes in collecting art as a way of creating, communicating, and preserving history for future generations, as well as in creating and representing the diversity of our amazing country.\u201d<\/span><\/p>\n

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Source\uff1ahttps:\/\/www.artnews.com\/<\/p>\n","protected":false},"excerpt":{"rendered":"

For a survey of what lies ahead as the art world looks forward to the future, ARTnews\u00a0devoted part of the June-July 2021 issue of the magazine to 10 cities to watch: Philadelphia, Atlanta, Vancouver, Guadalajara, Bogot\u00e1, Oslo, Tallinn, Casablanca, Abu Dhabi, and Taipei. Stay tuned as each city joins related reports from Seoul and Paris\u00a0online\u00a0in […]<\/p>\n","protected":false},"author":2,"featured_media":977,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[5,13,7,4,3],"tags":[],"class_list":{"0":"post-976","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artist","8":"category-auction","9":"category-events","10":"category-gallery","11":"category-latest-news"},"yoast_head":"\nHow Bogot\u00e1\u2019s Arts Community Is Building Institutions to Support Artists - Investable Art Auctioneer<\/title>\n<meta name=\"description\" content=\"Philadelphia, Atlanta, Vancouver, Guadalajara, Bogot\u00e1, Oslo, Tallinn, Casablanca, Abu Dhabi, and Taipei. 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